THOmSON-HOUSTON  ELECTRIC  CC, 


MANUFACTURERS  OF 


fluToniHTic  Focusing  Ljiinps 


OF  ANY  DESIRED 
CANDLE  POWER. 


Adapted  to  all 
Photographic  Work. 


LAMPS  CAN  BE 
FASTENED 
TO 

CAMERA  TRIPOD. 


148  Michigan  Avenue,  Chicago,  111. 
Gould  Building,  Atlanta,  Ga. 
403-405  Sibley  Street,  St.  Paul,  Minn. 
115  Broadway,  New  York,  N.Y. 
509  Arch  Street,  Philadelphia,  Penn. 
414  Wood  Street,  Pittsburg,  Penn. 
831  N.Y.  Life  B'ld'g,  Kansas  City,  Mo. 
1333  F  Street,  Washington,  D.C. 


New  Kirk  Building,  Syracuse,  N.Y. 
264  West  Fourth  Street,  Cincinnati,  Ohio. 
115  North  Third  Street,  St.  Louis,  Mo. 
15  First  Street,  San  Francisco,  Cal. 
Front  and  A  Streets,  Portland,  Oregon. 
209  Alamo  Plaza,  San  Antonio,  Texas. 
Thompson  Block,  Helena,  Mont. 


TnomsDn-Houston  ElBctiic  Co.,    B20  Atlantic  Hyb.,  Boston,  Hlass. 


London  Marne^^  Agency 


FROM  THE  BEST  MAKERS  IN  LONDON  AND  PARIS. 


-HARNESS- 

=SABBliES= 


OLD  STYLE  CURVED  SEAT.  NKW   STYLE  STRAIGHT  SEAT. 


.   .   AND  .  . 

STABLiE  OUTFITS. 

NEW  eO0D5 

TWENTY-FIVE  PER  CENT.  HESS  THAN  IF  MABE  HERE. 


P.  P.  M.arpl)\5  er  Co.,  «  zo6  DevonsI)ire  3t. 


Digitized  by  the  Internet  Archive 
in  2014 


https://archive.org/details/catalogueofexhibOObost 


CATALOGUE  OF  EXHIBITS 


Fiftf)  Annaal  Joint  Bxl^ibition 


OF  THE 


Photographic  Society  of  Philadelphia,  .... 
The  Society  of  Amateur  Photographers  of  New  York, 
and  The  Boston  Camera  Club.   


HINDER  THE  AUSPICES  OF 


THE  BOSTON  ^MERA  CLUB 


Open  to  all  Photographers— American  and  Foreign. 


AT  THE  galleries  OF  THE 

Boston  Art  Clal),  Boston, 

May  2  to  May  7.  1892,  Inclusive. 


COPYRIGHT 
BY   BENJAMIN  KlflBALL 
1892 


Note.— This  copyright  protects  this  entire 
book,  cover,  text,  and  illustrations. 
AH  rights  reserved  


5 


T|-Jg  last  generation  has  been  notable  for  a  wonderful  advance  in  the  discovery  of  new 
processes  and  appliances  in  the  art  of  photography,  and  so  rapidly  has  step  followed 
step  that  there  has  not  been  time  for  the  full  development  of  its  possibilities,  particularly 
in  the  direction  of  beauty  or  truth  of  pictorial  representation.  This  wealth  of  material 
and  method  has  in  a  degree  justified  the  opinion  hitherto  common  among  artists  that 
photography  is  little  more  than  a  process  in  which  tools  and  chemical  agents  work, 
almost  automatically,  and  produce  a  lifeless  result,  with  nothing  of  aesthetic  or  artistic 
selection,  composition,  or  treatment. 
Professionals,  or  those  who  practise  the  art  in  its  remunerative  applications,  have  done  much 
to  perfect  technical  processes,  but  have  done  little  to  change  the  opinion  of  which  we 
speak  by  using  the  camera  as  the  artist  uses  his  pencil  or  his  brush.  The  opening  of 
the  art  to  the  great  army  of  amateurs  has,  however,  already  brought  about  a  significant 
change  in  the  estimation  in  which  photography  is  held  by  artists  of  discrimination. 
Not  that  the  great  mass  of  amateur  work  maintains  a  high  standard.  This  is  not  to  be  expected, 
when  it  is  possible  for  a  person  with  an  hour's  instruction  to  produce  photographs  at 
once  possessed  of  merits  and  faults  each  equally  beyond  his  comprehension.  The 
movement  has,  however,  called  into  the  tleld  many  persons  of  a  true  instinct  in  art,  with 
powers  of  discrimination  and  selection,  who  have  acquired  sufficient  mastery  over  the 
technique  to  reproduce  some  measure  of  the  beauty  which  they  see.  They  have  worked 
con  amore,  bound  by  no  traditions,  courageous  in  experiment,  having  regard  only  for  the 
result.  It  is  by  such  workers  as  these,  caring  only  for  beauty  and  truth,  that  the  possi- 
bilities of  their  art  in  reproducing  beauty  and  truth  have  been  unfolded. 
The  number  of  steps  in  the  process  of  making  a  photograph  which  call  for  the  exercise  of  the 
same  artistic  powers  that  must  be  possessed  by  the  painter  will  be  surprising.  The 
artist-photographer  must  select  his  picture  with  reference  to  its  composition  of  lines, 
masses  of  light,  shade,  and  texture.  By  his  choice  of  lens  he  determines  the  width 
of  angle  or  the  scope  of  the  picture.  In  focussing  and  diaphragming,  he  divides  his 
definition  and  his  vagueness  to  suit  the  requirements  of  his  sense  of  pictorial  beauty. 


6 


25oi8tou  Camera  Club  —  <lBj:f)ilJition,  1892. 


His  development  is  almost  as  individual  as  the  handling  of  a  painter's  brush,  which 
chooses  between  the  minute  exactness  of  a  Pre-Raphaelite  or  a  Diisseldorf  canvas  and 
the  poetic  vagueness  of  a  Corot.  In  printing  he  has  a  wide  range  of  expression.  He 
may  use  the  gloss  of  albumenized  paper,  the  rough  surface  of  Whatman's  drawing 
board,  the  lustrous  sheen  of  Japanese  papers,  or  the  rich  depths  of  a  carbon  film. 
Although  confined  to  monochrome,  the  various  toning  baths  and  the  pigments  of  carbon 
films  open  to  him  an  infinite  variety  of  colors,  comprising  the  lustres  of  gold,  silver, 
platinum,  and  other  metals,  deep  charcoal  blacks,  and  the  chalk  reds  of  Botticelli.  It 
is,  however,  not  the  wealth  of  materials  so  much  as  the  artistic  discrimination  in  the  use 
of  them  which  is  illustrated  by  the  amateur  work  of  to-day,  and  in  which  progress  is 
now  being  made. 

It  is  the  hope  of  the  Committee  of  the  Boston  Camera  Club,  in  charge  of  the  Fifth  Annual  Joint 
Exhibition  of  the  three  leading  societies  of  amateur  photographers  of  New  York,  Phila- 
delphia, and  Boston,  that  the  pictures  shown  will  exemplify  more  fully  than  ever  before 
this  artistic  tendency  in  photography.  That  its  work  may  be  recognized  by  a  tribunal 
eminent  in  this  field,  it  has  selected  as  judges  three  artists  whose  standing  in  their  diverse 
lines  of  work  gives  to  their  decision  the  highest  weight. 

The  Committee  has  in  mind  the  compliment  paid  by  painters  to  a  sister  art,  when,  to  dis- 
tinguish the  artist  from  the  mechanical  workman  or  copyist,  they  gave  to  a  certain  class 
of  etchers  the  title  of  "Painter-Etchers";  and  it  trusts  that  in  work  with  the  camera 
there  may  be  those  who  will  win  for  the  honor  of  their  art  and  themselves  the  title  of 
"  Painter-Photographers." 


25oj5tou  Camera  €\uh  —  €x1)ibition,  1892. 


7 


.  .  ti^t  of  Illustration?;  .  . 

Number  One,  "Figure  Study,"  from  negative  taken  by  Mr.  John  C.  Lee,  of  the 
Boston  Camera  Club,  with  a  Eiiryscope  No.  3  lens  upon  a  Crarner  plate,  and 
developed  with  Pyro-Animonia.  Reproduced  in  Photogravure  by  Messrs. 
A..  W.  Elson  &  Company  of  Boston,  and  printed  upon  Plate  paper    .    .  . 

Frontispiece 

Number  Two.    "/4  Forest  in  Winter,"  from  negative  taken  by  Mr.  William  Sumner 
■  Briggs,  of  the  Boston  Camera  Club,  with  a  Ross  lens  upon  an  Allen  &  Rowell 
tilm,  and  developed  with  Pyro.    Reproduced  in  Gravure-Etchuig  by  Mr.  John 

H.  Foster,  of  Boston,  and  printed  upon  Plate  paper  

To  face  page  8 

Number  Three.   ''Portrait  of  a  ^oj>,"  from  negative  taken  by  Mr.  George  M. 

Morgan,  of  the  Boston  Camera  Club,  with  a  Ross  lens  upon  a  Seed  plate,  and 
developed  with  Pyro.    Reproduced  in  a  Gelatine  print  by  the  Heliotype  Printing 

Company  of  Boston,  and  printed  upon  Japanese  paper   

To  face  page  24 

Number  Four.  suiting  the  Sbeepr  from  negative  taken  by  Mr.  Charles  H.  Currier, 
of  the  Boston  Camera  Club,  with  a  Dallmeyer  lens  upon  a  Seed  plate,  and 
developed  with  Pyro.    Reproduced  in  Photogravure  by  the  Heliotype  Printing 

Company  of  Boston,  and  printed  upon  Japanese  paper  

To  face  page  40 

Number  F  IVe.  "Portrait from  negative  taken  by  Mr.  Benjamin  Kimball,  of  the 
Boston  Camera  Club,  with  a  Euryscope  No.  3  lens  upon  an  8x10  Seed  26x 
plate,  and  developed  with  Hydroquinone.    Reproduced  in  Gravure-Etching  by 

Mr.  John  H.  Foster,  of  Boston,  and  printed  upon  Plate  paper  

To  face  page  56 

Number  Six.  %ural  Group."  from  negative  taken  by  Mr.  Wilfred  A.  French,  of 
the  Boston  Camera  Club,  with  a  Voigtlander's  No.  2  Euryscope  lens  upon  a 
Carbutt  B  plate,  developed  with  Pyro-Potash.  Reproduced  in  a  Gelatine  print 
by  the  Heliotype  Printing  Company  of  Boston,  and  printed  upon  Plate  paper 

To  face  page  72 


s 


^o^ton  €amcra  Club  —  <iEvl)iI)ttion, 


Slrtijst0  and  ^rtijsanjs 

Mr.  Ludwig  Sandoe  Ipsen  made  the  design  for  the  cover. 

Mr.  William  Sumner  BriggS,  Mr.  Charles  H.  Currier,  Mr.  Wilfred  A.  French,  Mr.  Benja- 
min Kimball,  Mr.  John  C.  Lee,  and  Mr.  George  M.  Morgan,  all  of  the  Boston  Camera 
Club,  made  the  original  negatives  of  the  illustrations. 

The  Heliotype  Printing  Company,  Mr.  John  H.  Foster,  and  Messrs.  A.  W.  Elson  8l 
Company,  all  of  Boston,  reproduced  the  negatives  in  Photogravure,  Gravure- Etching, 
and  Gelatine  Prints. 


Messrs.  Phelps,  Dalton  &  Company  made  the  cover  plates  and  special  ornaments. 
Mr.  George  H.  Ellis  printed  and  bound  the  book. 

ODf  the  a^ctiai. 

Mr.  Ludvig  Sandoe  Ipsen  made  the  original  design  for  the  medal  awarded  at  this 
exhibition. 

The  Shreve,  Crump  &  Low  Company  made  the  mould  and  cast  the  medal  in 
bronze. 

ODf  tl)C  diploma. 

Mr-  Benjamin  Kimball,  of  the  Boston  camera  Club,  made  the  original  photographic 
design  for  the  diploma,  which  was  adjudged  by  Mr.  C.  Howard  Walker  the  best 
design  submitted  in  a  competition  open  to  members  of  the  Photographic  Society  of 
Philadelphia,  the  Society  of  Amateur  Photographers  of  New  York,  and  the  Boston 
Camera  Club. 


CATALOGUE 


PHOTOGRAPHS. 


Mr.  FRANCIS  BLAKE, 
Auburndale,  Mass. 

Boston  Camei-a  Club. 

Instantaneous  Pictures. 
Lawn  Tennis. 

1     A    Mr.  E.  J.  Hall,  Jr.,  winner  of  the  Long- 
wood  and  several  other  tournaments, 
I  89  I  .    Forehand  Service. 
B  "  Forehand  Volley, 

c 


Lens. 


Developer.  Plate. 


Print 


V 

w 


Backhand  Volley. 


Forehand  Stroke. 
Backhand  Stroke. 


Mr.  E.J.  Hall,  Jr.   Backhand  Stroke. 

Volley. 
Lob. 

"  Forehand  Smash. 

Mr.  R.  D.  Sears,  Champion  of  the  United 
States,  1881  to  1889,  and  Double 
Championship,  1882  to  1889.  Fore- 
hand Service.  Beginning. 

"  Forehand  Service.  Mid- 

dle. 

"  Forehand  Service.  End. 

"  Forehand  Stroke.  Be- 

ginning. 
Forehand  Stroke.  Mid- 
dle. 

"  Forehand  Stroke.  End. 

Backhand  Stroke.  End. 


;.meyer,full  Hydrochi- 


opening. 


none. 


Bromide 
Standard,  enlargement 
about  three 
diameters. 


10 


^Oj9ton  Camera  €Iu6  —  ^iBrljitiition,  \S^2, 


NEW  PATEM   CdNCENTHIC  LENS. 


IMPROVED  PORTRAIT  LEINS. 

fflfflSffiffllliilSRTllllllMllllljjjj 


PORTABLE  SYMMETRICAL 


RAPID  SYMMETRICAL. 


SINGLE    LANDSCAPE  LENS. 


Gold  Medals  and  Highest  Awards  at  all  great  Exhibitions 


ROSS' 


Celebrated  Portrait  and  View 


LENSES 


(OVER  FIFTY  THOUSAND  OF  THESE  LENSES  HAVE  BEEN  SOLD.) 


MANY  REGENT  IMPORTANT  IMPROVEMENTS,  SEVERAL  NEW  SERIES. 


ROSS'  PATENT  CONCENTRIC  LENSES.    F  16. 

For  Architecture,  Copying,  Landscapes,  etc.  The  greatest  advance 
ever  made  in  Photographic  Lenses. 

ROSS'  PORTABLE  SYMMETRICALS.    F  16. 

Very  popular  for  Landscapes,  Architecture,  and  Copying.  The 
first  ten  of  the  series  screw  into  same  flange. 

ROSS'  WIDE  ANGLE  SYMMETRICALS.    F  16. 

Embracing  an  angle  of  90  degrees  and  upwards.  Very  suitable 
for  interiors  and  confined  situations. 

ROSS'  RAPID  SYMMETRICALS  (NEW).    F  8. 

For  Groups,  Views,  Copying,  Enlarging,  etc.  The  most  useful 
all-round  lens  for  outdoor  work. 

ROSS'  UNIVERSAL  SYMMETRICALS.    F  5.  657. 

A  New  Extra  Rapid  series  for  Portraits,  Groups,  and  Instanta- 
neous Work.    Highly  recommended. 

ROSS'  SINGLE  LANDSCAPE  LENSES.    F  16. 

Introduced  to  meet  the  demand  for  a  cheap  series  for  purely 
Landscape  work. 

ROSS'  PORTRAIT  AND  CABINET  LENSES.    F  4. 

Used  by  Leading  Professional  Photographers  everywhere.  Great 
brilliancy  and  exquisite  defining  power. 

ROSS'  HAND  CAMERA  LENSES.    F  5,  6,  and  F  8. 

Bronzed  Mounts,  Iris  or  Waterhouse  diaphragms.  Can  be  supplied 
in  pairs,  when  so  required. 

ROSS'  DIVIDED  HAND  CAMERA. 


Has  met  with  great  success.  Thoroughly  reliable, 
ommended  by  numerous  purchasers. 


Highly  rec- 


ROSS'  STUDIO  AND  FIELD  CAMERAS,  Etc.,  Etc. 

Ross  lenses  are  kept  in  stock  by  the  WILSON  =  HOOD  =  CHEY.NEY 
CO.  Ld.,  910  Arch  Street,  Philadelphia,  and  WILLIAH  C.  CULLEN,  6i 
William  Street,  New  York,  but  may  also  be  obtained  through  any 
Stock  Dealer  or  direct  from  the  manufacturers,  who  have  a  large 
stock,  and  can  fill  all  orders  immediately.  Please  send  for  illustrated 
price=lists  before  purchasing  from  other  makers. 

ROSS  &  CO.,  Manufacturing  Opticians, 

112  New  Bond  Street,   LONDON,  ENGLAND. 


2Bo^tou  Camera  ^\uh  —  €j:l)ibition,  18^2. 


11 


6 


X  Dr.  James  Dwight,  Double  Championship 
of  the  United  States,  1882-83-84-86- 
87.  Champion  North  of  England. 
Champion  West  of  England.  Re- 
versed Service. 

A  to  L  inclusive,  Mr.  Thomas  Pettitt,  Profes- 
sional Court  Tennis  Champion  of  the 
World.  Professional  Lawn  Tennis 
Champion  of  America. 


Lens. 


Developer. 


Plate. 


Print. 


Various  Subjects. 


3  B  Dall-  .  . 

I  r   11     EllllO't  S 

}^meyer,full  Hydrochi- 
1  openmg. 

^       °  none. 


Standard 


4  A,  B,  c,  D    "  Cow  Pon\' 

5  A    Pigeons  in  Flight. 
B  "      "  " 

c 

D 


at  Sharp  Canter. 


Speed, 


Bromide 
enlargement 
about  three 
diameters. 


Portrait  (enlarged  from  5x8  Plate). 


Boy  on  Bicycle. 

Engine  of  New  York  Express. 
48  miles  an  hour. 

^  3  D 

Dallmeyer. 

Negatives  and  positives  the  work  of  the  exhibitor.  Exposures  were  made  with  "  focal-plane "  shutter  made  by 
exhibitor.  Exposures  of  original  negatives  of  plates  in  Frame  No.  i.  and  of  plates  M,  N,  o,  and  p,  in  Frame  2,  were  half  a 
thousandth  of  a  second  each.  Exposures  of  plates  g,  r,  s,  t,  u,  v,  w,  and  x,  F"rame  2,  of  plates  in  Frame  4,  of  plates  a,  h, 
and  c,  in  Frame  5,  were  one  thousandth  of  a  second  each.  Exposure  of  plate  D  in  Frame  5  was  four  thousandtlis  of  a 
second. 


Mr.  clarence  B.  MOORE, 

132 1  Locust  Street,  Philadelphia. 

Photographie  Society  of  Philadelphia. 

Lens.  Developer. 

Portrait  Study.  Beck.  Pyro-Soda. 

Uncle  Zeke  (not  retouclied).  Francais.  Eikonogen. 

The  Coming  Race.  "  Pyro-Soda. 

Orange  Mounds,  P'lorida.  '  Pyro-Potash. 

Small  Culprit.  '■  Pyro-Soda. 

South  Florida  Kitchen.  "  Pyro-Potash. 

Rural  Politics.  "  Pyro-Soda. 

On  Poquessing  Creek.  '■  " 

An  Open  Countenance  (not  retouched).  Pyro-Potash. 

Patience.  '  Pyro-Soda. 

High  Noon.  '•  " 

(  Eikonogen 


7 
8 
9 
10 
11 
12 
13 
14 
15 
16 
17 

18 

19 
20 
21 


Plate. 
Seed  26. 


Print. 

Platinum  Sepia. 
Silver,  Gold  Toned. 
Platinum. 


Platinum  Sepia. 


Study  in  Posing  (not  retouched). 

Portrait  Study. 

"  "       (not  retouched). 

Knock  dat  Chip  off. 


Beck. 


Hydrochinon.  } 


Cramer  C. 
Seed  26. 
Cramer  C. 
Seed  26. 


Sepia. 


"  Eikonogen. 
Francais.  Pyro-Potash. 
Negatives  and  positives,  work  of  exhibitor. 


12 


CLOSED. 

ROCHESTER  .  .  . 

...  5  X  7  FOLDING 


OPEN. 


The  Rochester  Cameras  are  the  latest  and  best  out. 


Examine  them 
at  your  dealer's. 


Manufactured    ROCHESTER  CAHERA  M'F'Q  CO. 

ROCHESTER,  N.Y. 


Photographic^^ pparatus 

AND  SUPPLIES  OF  ALL  KINDS. 

Detective  and  the  latest  Printing  J^apers,  De- 
CcTtliefClS        "velopers,  etc.,  always  on  hand. 


Albums  of  all  styles  atul 


sizes. 


Especial  care  given  to  arranging  and  mounting 
prints  with  gelatine. 

DEVELOPING  AND  P HINTING. 

Dark  Room  for  Changing  Plates. 

John  H.  Thurston^ 


so 


BROMFIELD  ST., 
BOSTON. 


ROOM 

{2d  floor). 


Agent  for  LIB  BY  DRY  PLATES. 


'^Heaven's  last  best  gift  to  Plan." 


Tl)e  ^ 


% 


V>Y%  Plates 


4^ 


are  universally  acknowlediied  to 


be  the  best,  quickest,  and  -jfj 

A' 


most  reliable  made 
Unapproached  for  iiiiifonn  excellence  of  quality 
HE  high  standard  of  our  plates,  which 


T 


in  the  past  has  evoked  flattering  testi- 
monials,  will  be  fully  maintained. 


The  Libby  Dry 
Plate  Company, 


Portland,  Maine, 
U.  S.  A, 


Boston  Camera  €hib  —  €vl)ibition,  1S92. 


13 


Mr.  J.  PRINCE  LOUD, 

135  Mount  Vernon  Street,  Boston. 

Boston  Camera  Club. 


22 
23 
24 
25 
26 
27 


Castleton,  Derbyshire,  England. 

Tintern  Abbey,  Monmouthshire,  England. 

Brook  near  Dolgelley,  N.  Wales. 

The  Nant  Gwnant,  Beddgelert,  N.  Wales. 

The  River  Conway,  Betteos-y-Coed,  N.Wales. 


Lens. 


Developer.  Plate. 


Ross 

Rapid  Reel. 


Pyro. 


Carbutt 
Films. 


Development  and  positive,  work  of  exhibitor. 


Print. 


Bromide 
Enlargement. 


Mr.  WALTER  G.  CHASE, 

ID  Central  Street,  Boston. 

Boston  Camera  Club. 

28  The  Amateur  Violinist. 

29  Japanese  Girls. 

30  Portrait. 

31  A,  B,  c    Japanese  Dancing  Girls. 

32  Miss  Howells. 

33  Umbrella  Mender. 

34  Portrait. 


Lens.  Developer. 

Eurygraph.  Hydro. 
Dallmeyer.  " 
Eurygraph.  " 
Dallmeyer.  " 
Euryscope.  " 
Dallmeyer.  " 


Plate.  Print. 
Carbutt.  Silver. 
Cramer  50.  " 


Exposure  and  development,  work  of  exhibitor. 


Mr.  M.  E.  RENCURREL, 

7  Cedar  Street,  Charlestown. 

Lens.  Developer.  Plate.  Print. 

35  A  Modern  Priscilla.  Waterbury.  Pyrogallic.  Chautauqua.  Bromide  Enlarg. 

36  A  Twilight  Melody. 

37  Oldest  House  in  U.S.,  Pembroke, 

Mass.,  built  a.d.  1628.  "  "  "  Albumen  Paper. 

Exposure  and  development  and  print  of  37,  work  of  exhibitor. 


Mr.  ADAM  DISTON, 

Leven,  Fife,  Scotland. 

38  Relics. 

39  The  Broken  Toe. 

40  After  the  Storm. 

41  The  Deserter's  Home.    An  Alarm! 

42  A  Wee  Customer. 

43  Highland  Smugglers. 


Lens.  Developer.  Plate. 

Dallmeyer's  Portrait.   Pyro.  Mawson. 


Print. 
Platinum. 
Silver. 
Platinum. 
Silver. 


Exposure,  development,  and  print,  work  of  exhibitor. 


14 


^o^fton  Camera  »iriub  —  ofiijibition,  18^2. 


FERB.  F.  FRENGH  Zl  CQ, 

(Ll/niTED.) 


COACH-BUILDERS 


TO 

PRIVATE  TRADE 


EXCLUSIVELY. 


OdR  NEW  DESIGNS  IN 


VIGT0RIAS  m  GABRieiiETS 


FOR  The  year  1592 


Surpass  in  Elegance  and 
artistic  beauty  the  produc- 
tions of  the  best  London 
and  Paris  Builders. 

Correspondence  invited. 


SaDBdRY  ANB  FRIEND  STREETS,   AND  MdL^BERRY  PLACE, 


BesreN,  mass. 


2B>o8ton  Camera  OTIuIj  —  4Exi)itJitioii,  1892. 


15 


Mr.  LYDDELL  SAWYER, 

Singleton  House,  Newcastle. 

Northern  Counties  Society. 

44  The  Toper. 

45  Reflections. 

46  The  Last  Rehearsal. 

47  Lighten  our  Darkness,  O  Lord  ! 

48  Crewel  (cruel)  Works. 

49  The  Smoky  Tyne. 

50  The  Boat  Builders. 

51  Tarn  O'Shanter  and  Souter  Johnnie. 


Lens. 

Dallmeyer's  R.  R. 


Darlot's  Portrait. 


52  The  Rivals. 

53  Rare  old  Gossips. 

54  In  the  Twilight. 

55  Foggy  Weather. 


Dallmeyer's  R.  R. 


Developer. 


Pyro  and 
Ammonia. 


Negatives  and  positives,  work  of  exhibitor. 


Plate. 


Print. 


Edwards.  Platinotype. 


Mr.  clement  WILLIAMS,  F.R.I. B.A., 

13  Akeds  Road,  Halifax,  England. 
Halifax  Photographic  Club. 


Lens. 


Developer. 


Plate. 


Print. 


Single 
>  Meniscus, 
30  in.  Focus. 


Alk-Pyro.    Ilford  Slow.  Carbon. 


56  A  Sea  Dream. 

57  A  Coming  Storm. 

58  Sail  on,  Little  Boat,  for  the  Night  is  Bright. 

59  Listening  to  the  Cuckoo. 

The  three  sea  pictures  are  from  direct  negatives,  20  x  16  in.,  and  are  not  enlargements.  The  negatives  were  taken 
with  a  pale  smoked  glass  screen  in  front  of  the  lens,  the  invention  of  exhibitor.  The  woodland  scene  is  also. direct.  The 
four  negatives  are  untouched,  and  no  double  printing. 


Mr.  F.  DUNDAS  TODD, 

29  Pansmore  Place,  Edinburgh. 
Edinburgh  Photographic  and  {Edinburgh)  Viewjinders. 

Lens.  Developer.          Plate.  Print. 

60  Baiting  the  Lines.                                               R.  R.  Pyro-Am.      Ilford.  Platinotype. 

61  A  Village  Smithy.                                             W.  A.  "          Thomas.  " 

Exposure,  development,  and  print,  work  of  exhibitor. 

Mr.  HOWARD  R.  BARTON, 

70  Trinity  Terrace,  Boston. 

Technology  Photographic  Society. 

Lens.  Developer.  Plate.  Print. 

62  An  Overflow  from  the  Mill-race  on 

the  Walkill  River,  Hamburg,  N.J .    Ross  R.  S.    Pyro-Soda.       Seed  26.  Carbon. 

63  The  Old  Mill-race  on  the  Walkill, 

Hamburg,  N.J. 

64  Resting.  Gundlach.    Eiko-Potash.     Alleti  &  Rowell.  Albumen. 

Exposure  and  development,  work  of  exhibitor. 


16 


^o^fton  Camera  *(rhib  — ofjrljibition,  1892. 


Morgan,  Robey  #  Company, 

Successors  to  C.  H.  Codman  &  Co. 
Manufacturers,  Importers,  and  Dealers  in 

Photographic  Supplies 


HAWKEYE,    KODAK,  f  /ll/l/l  £>  IT /l  C   ^'^'^  OTHER 

KNACK,  IRVING,   \^ CI filC  f   HAND  CAMERAS. 


Camera^ 
Lense^ 
Dry  Plate^ 

ALBUMEN,  PLAIN  J-^/1^l?'V    f  11    4^  ft'        OMEGA,  ARISTO, 

AND  SENSITIZED.     ^  dUfu  I     JOT  Clll  pfOCCjJC'S  AND  BLUE  PAPER. 

Card  Stock 
Shutter^ 
Pure  Chemical^  ^  etc. 

PICTURES,      PICTURE  FRAME  MATERIALS 


"ORTHO,"  MORRISON,  #    P1/1Q/?C  '^'^'^ 

DARLOT,  BECK,  J-^ty  fldC  \  OTHER  MAKES. 


ALL   BRANDS.    1^1   1/      i    LLllC  \     ALL  BRANDS. 


COLLIN'S    f  \tnrlp  COLLIN'S 

PHOTOGRAPHIC  U/     KjlULrC  PHOTOGRAPHIC. 


TIME,  Shuttpr^  ™^ 

AND   INSTANTANEOUS  KJ      l^ll^ I   \   AND  INSTANTANEOUS. 


34  Street,     Boston,  Mass. 


•:3o^ton  Camera  Ciub  —  €rl)ibmon,  1S92. 


17 


Mr.  O.  a.  EAMES, 

Boston,  Mass. 

Boston  Camera  Club. 

65  After  the  Shower,  Boston  Harbor. 

66  Sunrise,  Nantucket. 
67 

68  Twilight,  Boston  Harbor. 

69  Surf,  Nahant. 

70  Wood  Island. 

71  Young  America. 

72  Beggar  Girl. 

73  At  Crescent  Beach. 

74  A  Summer  Afternoon. 

75  Behind  the  Clouds. 

76  The  Children's  Paradise. 


Leus. 
Euryscope. 


A.  G.  Clark. 
Darlot. 

Euryscope. 


Darlot. 


Developer. 
Pyro-Soda. 


Plate. 
Cramer. 


Print. 
Plain  Salt. 


Ii.\posure  and  development,  work  of  exhibitor. 


Mr.  CHARLES  L.  MITCHELL,  M.D., 

ioi6  Cherry  Street,  Philadelphia,  Pa. 

The  Photographic  Society,  Philadelphia. 

77    The  Loen  Vand  at  Vasenden,  Norway. 


Lens. 
Steinheil. 


Developer. 
Hydro- Eiko. 


Plate.  Print. 

Carbutt  Eastman's 
Ortho.  Film.  ]]romide. 


78  The  Naero  Fjord  at  Gudvangen,  Norway.  " 

79  The  Old  Borgund  Chuich,  Norway.  Beck. 

80  The  Sandven  Vand,  Hardanger,  Norway.  Ross. 

81  The  Lote-fos  Hardanger,  Norway.  Steinheil. 

82  In  the  Maderaner  Thai,  Switzerland.  " 

Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  WM.  GARRISON  REED, 
19  Kilby  Street,  Boston. 

Boston  Camera  Club. 

83  North  Conway  and  Kearsarge. 

84  Goodrich  Falls. 

85  Old  Shingle  Mill,  Kearsarge. 

86  Swift  River  Falls. 

87  Mount  Chocorua  and  Lake. 

88  Cathedral  Ledge. 

89  West  Channel  of  the  Saco. 

90  Old  Mill  Pond,  North  Conway. 

91  Saco  River  and  Mount  Washington. 

92  White  Horse  Ledge. 


Lens.  Developer.  Plate. 

Beck.  Ox.    A.  &  Rowel 


Darlot  W.  A. 
Beck. 


Print. 

Eastman's 
Bromide  Paper. 


Carbutt 
Ortho.  Film. 
A.  &  R.  Film. 


Exposure,  development,  and  positives  (excepting  No.  92),  work  of  exhibitor. 


18 


25o^ton  OTamcra  Club  —  OExijibition,  1892. 


Photographic  Apparatus  for  Amateurs. 

BEING  the  oldest  firm  of  the  kind  in  New  England  (founded  in  1846),  we  have  the  longest  ex- 
perience^ in  the  business,  and  our  large  and  well-assorted  stock  comprises  only  the  best  of 
Lenses,  Cameras,  Printing-Papers,  Chemicals,  Dry  Plates,  Albums,  etc. 

THE  BEST  LENSES  FOR  AMATEURS 


ARE 


Voigtlander's 
•  •  Celebrated 


•  .  ARE 


Euryscope 


Lenses, 


constructed  by  the  greatest  living  optician,  in  seven  different  series,  of  special  Jena  glass,  and 
adapted  to  every  species  of  portraiture,  interior,  exterior,  and  instantaneous  work.    Also  the  new 

Zeiss  Anastigmat  Lenses, 

working  at  full  aperture  without  astigmatism.  Made  by  Voigtlander  &  Son,  according  to  formulae 
by  Carl  Zeiss  of  Jena,  Germany,  under  the  German  Patent.  Also 


The  Well-known 

Darlot  

•  •  •  •  Lenses 


For  all  kinds  of 

Portrait,  inside, 
and 

Outside  Photography. 


Special  Lenses  and  Condensurs,   Singly  or  in  Matched  Pairs,   for  Stereopticons. 

To  protect  our  patrons  against  imposition,  our  initials  (B.  F.  &  Co.)  are  engraved  on  all  Darlot's  lenses 

of  our  importation,  which  is  a  sure  proof  of  their  genuineness  and  superiority.  <=^a 

Complete  and  Illustrated  Catalogue  sent  free  on  application. 

SOLE   AMERICAN  AGENTS: 

BENJ,  FRENCH  &  COMPANY, 

NO.  319  WASHINGTON  ST.      (opp.  Milk  St.),      BOSTON,  MASS. 


Mr.  HAMILTON  EMMONS, 
London,  England. 

The  Camera  Club,  Ens^la/id. 

Developer.  Plate.  Print. 

93  Native  Dahabayahs,  Egypt.  Pyro.    England's  Film.  Plain 

,  Silver  Paper. 

94  The  Last  Rays  of  Sunset.  "  '• 

95  Then  came  Still  Evening  on.  •  "  "  '• 

96  Harvest  Time.  "      Carbutt's  Film.  " 

97  The  Western  Waves  of  Ebbing  Day.  "       England's  Film. 

98  Sunset  on  the  Nile. 

99  In  the  Fayum,  Egypt.  *'  "  " 

Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  ROBERT  S.  REDFIELD, 

3706  Walnut  Street,  Philadelphia. 

Photographic  Society  of  Philadelphia. 


Lens. 

■  Dtc'eloper. 

Plate. 

100 

Hesitation. 

12  in. 

Ross  R.  S. 

Pyro-Soda. 

Cramer. 

101 

Mending  their  Ways. 

16  " 

Dallmeyer  R.  R. 

102 

A  Morning  by  the  Brook. 

16  •' 

it 

Seed. 

103 

Warranted  Safe  and  Gentle. 

16  " 

u 

Eiko-Hydro. 

Cramer. 

104 

Navigation, 

16  " 

105 

Study  of  Sheep. 

16  " 

i( 

ii 

Exposure,  development,  and  print,  wor 

k  of  exhibitor. 

Print. 

Black 
Platinotype 
Hot  Process. 

Sepia 
Platinotype 
Hot  Process. 


Mr.  ARTHUR  R.  WILMARTH, 

51  Eliot  Street,  Jamaica  Plain,  Mass. 


Boston  Camera  Club. 

Lens.  Developer.  Plate.  Print. 


106 

Dropping  Corn.                              Dall.  (y\  x  8i 

Pyro- Potash.  Seed. 

Brom.  Enlarg. 

Silver  Print. 

107 

Cinnamon  Roses.  " 

Japan  Paper, 
Silver  Print. 

108 

Richardson's  Creek,  Merrimack  River. 

Harvard. 

demons  Paper, 
Silver  Print. 

109 

A  Winding  Way.  " 

Seed. 

Salted  Paper. 

110 

Mill  Pond,  West  Boxford,  Mass. 

Carbutt 

(( 

Ortho. 

111 

Brook  at  West  Townsend,  Mass. 

'•  Seed. 

Silver  Print, 

Japan  Paper. 

112 

November.  " 

113 

Elm  Trees.  " 

Kallitype. 

Japan  Paper. 

Exposure,  development,  and  print,  work  of  exhibitor. 


20 


25o^ton  Camera  €lul)  —  €i:l)itiition,  18^2. 


Structureless  film.  cAMi^niDCiE, 


THE  LEADING  PLATE  FOR 

fVrnatcurj. 

SEE  REPORTS  OF  THE  EXHIBITS 
OF  PRINCIPAL  AMATEUR 
SOCIETIES  IN 
ALL  PARTS  OF  THE  COUNTRY. 

Photograph  Cards. 

All  the  best  Photographs  made  in  this 
country  are  mounted  on  cards 
made  at  the  extensive 
factories  of 

A.  M.Collins  Mannfactnring  Co. 
Philadelphia, 

where  may  be  found  styles  and  qualities 
of  cards  for  Photographers'  use 
such  as  will  be  looked  for 
in  vain  elsewhere. 


No.  1. 

FOR  TIME  EXPOSURES 
AND  ORDINARY 

OUTDOOR  WORK. 

 *  


No.  2. 

FOR  INSTANTANEOUS 

EXPOSURES,  AND 
WHERE  EXTRA  SENSI- 
TIVENESS IS  REQUIRED. 

Ieep^  shirts" 

Are  the  Standard  Shirts  of  America. 

Best  Quality  Made  to  Order. 

SIX  FOR  $9.00 

KEEP'S  Celebrated  "K"  Unlaundered  Shirt,  85c. 
each.    Open  back  or  open  front  or  both. 

NEGLIGEE  SHIRTS  from  CHEVIOT,  FLANNEL, 
MADRAS,  and  SILK  in  great  variety  and  of  special 
designs  to  order  and  in  stock  ready  for  use  from 
$  1  .00  upwards. 

Our  UNDERWEAR  and  HOSIERY  Department  is  the 
largest  and  most  complete  in  the  city. 

Complete  line  of  MEN'S  OUTFITTINGS  at  popular 
prices. 

Keep  Manufacturing  Co., 
114  tremont  street, 
Boston. 


25o^fton  Camera  €hil>  —  Cxljibition,  1892. 


21 


Mr.  W.  S,  clow, 

The  Press,  Philadelphia. 
Philadelphia. 


Lens. 

Beck. 


Developer. 

Eiko-Hyd. 


114  828  in  the  Sun. 

115  SoHd  Comfort. 

116  Making  Apple  Hutter.    The  Start. 

117  Making  Apple  Butter.    The  Finish. 

118  Roadside  Gossip. 

119  Listen  to  my  Tale  of  Woe.  "  Pyro-Soda. 

120  Home  at  Last. 

Exposure,  development,  and  print  of  No.  iiS,  woi  k  of  exhibitor. 


Plate. 
Eagle. 


Print. 

Platinum. 


Silver. 


Miss  HELEN  M.  MURDOCH, 

62  Clifford  Street,  Roxbury,  Mass. 

121    A    Taken  by  Moonlight.  October. 


Lens.  Developer.  Piatt-. 
Hawk-eye.   Hoover.  Harvard. 


B    Eclipse  of  the  Moon,  November  15,  1891.  " 

Negative  enlarged  by  C.  H.  Currier, 
c    Taken  by  Moonlight.    February.  '' 

122  A  U.  S.  S.  "Chicago." 
R  "  "  "Newark." 
c     "     "  "Boston." 

D     "     "    "Atlanta."  " 
E     "     "  "Yorktown." 
F     "     "  "Vesuvius." 

123  Cobweb  on  a  Foggy  Morning.  " 

124  Studies  on  Orthochromatic  Plates.  " 

All  exposures  and  prints,  and  all  developments  except  No. 


Print. 

Contact 
Bromide. 


23,  work  of  exhibitor. 


Miss  ALICE  G.  CHANDLER, 
Lancaster,  Mass. 

125    A    Brown  October's  Wood. 


Lens.  Developer. 
Euryscopic  Hydrochinon. 
Rectilinear. 


B  The  Frost  Spirit  comes, 

c  The  Dusk  of  Fir  and  Pine. 

D  The  Song  of  April  Brooks. 

E  The  Swimming  Hole. 

F  The  Seven-bridge  Road. 

G  The  Last  Load. 

H  Through  the  Blossomed  Apple-boughs. 

I  'Most  Milking  Time. 

J  Virgin  Snow  Path. 


Plate. 

Allen  &  Rowell. 

Chautauqua. 
Allen  &  Rowell. 
Chautauqua. 
Forbes. 

Allen  &  Rowell. 
Chautauqua. 


Print. 

Eastman's 
Bromide  B. 


22 


25oj^tou  Camera  €liib  —  €rl)itJition,  \S^2. 


The  "Universal"  Camera. 


CAMERA  FULLY  EXTENDED. 


SIZE  OF 

VIEW. 

SINGLE 

SWING. 

DOUBLE 

SWING. 

six 

4i 

$27 

00 

$29  00 

4  X 

S 

28 

00 

30 

00 

4i  X 

6i 

30 

00 

32 

00 

5  X 

7 

33 

00 

35 

00 

5  X 

8 

36 

00 

38 

00 

6ix 

8i 

40 

00 

43 

00 

8  X 

10 

45 

GO 

48 

00 

lO  X 

12 

52 

00 

56 

00 

I  I  X 

14 

60 

00 

65 

00 

14  X 

17 

72 

00 

80 

00 

17  X 

20 

90 

00 

100 

00 

The  "  Universal  "  Camera  is  a  modified  English  pattern,  and  is  the  most  compact 
Camera  in  the  market,  the  6^'2xS%  being  but  2^  inches  thick  when  folded,  and  weighs 
but  five  pounds,  and  has  a  draw  of  20  inches. 

The  "Universal"  is  conceded  to  be  the  best  View  Camera  in  the  market,  every 
part  being  strictly  first-class.    Send  for  catalogue  to 

ROCHESTER  OPTICAL  CO., 

Or  to  any  Dealer  in  Photo.  Supplies.  ROCHESTER,  NEW  YORK. 


25o^ton  Camera  €hit)  —  €j:I)iliition,  1892. 


23 


Lens.  Developer.  Plate. 

K    The  Haunted  House.  Euryscopic    Hydrochinon.  Chautauqua. 

Rectilinear. 

L    At  Set  of  Sun. 
M    An  Old  Settler. 

N    Why  doesn't  He  Come  ?  '■ 
126.   o    King  of  the  County. 

p    Where  the  Rude  Forefathers  of  the 

Hamlet  sleep.  "  " 

Q    The  White  Pagodas  of  the  Snow.  •'  " 

R    Twilight  on  the  River. 

s    Beside  the  River's  Tranquil  Flood.       ''  " 
T    The  Homeward  Path, 
u    Maiden  Meditation.  " 

V  Where  the  Gentle  Nashua  flows.  "  " 
w    The  Old  Causeway.  " 
X    The  Ford. 

V  Grandmother's.  "  ■  " 
z    The  Haunt  of  the  Pickerel.                  "  " 

A  A    The  Winter's  Grasp.  "  " 

B  B    The  Walnut  in  the  Pasture.  "  " 

Exposures,  development,  and  prints,  work  of  exhibitor 


Print. 
Eastman's 


Bromi 


de  B. 


Allen  &  Rowell. 
Chautauqua. 

Rochester. 
Chautauqua. 
Seed. 

Chautauqua. 


Mr.  CHARLES  I.  BERG, 

34  Gramercy  Park,  N.  Y.  City. 
N.  y.  Society  A.  P. 


127  A 

B 
C 

^{ 
E 
K 
G 

128  A 

H 


Posing  and  Lighting. 


Portraits. 


Letts.  Developer.  Plate.  Print. 

Dallmeyer.    Hydrochinon.    Seed  26.  Platinotype. 


Aristo 

Matt  Surface. 


Exposure,  development,  and  print,  work  of  exhibitor. 


Miss  ROSAMOND  W.  SILSBEE, 

Hotel  Nightingzrie,  Dorchester,  Mass. 

Lens.  Plate.  Print. 

129    The  Coquette.  Beck.    Allen  &  Rowell.    Bromide  Enlargement 

from  4  X  5  in.  Negative. 


24' 


25oston  vtamrra  €lul)  —  oErbiBition,  1892. 


The  Premier  Camera. 


jjiMMiMiinmimjiiuiiiiiiiijiu. 


PREMIER,  CLOSED. 


The  PREMIER  is  conceded  to  be  the  ■ 
best  Hand  Camera  in  market  fqr  anywhere 
near  the  price,  and  possesses  some  advan- 
tages over  all  others. 

The  Shutter  is  a  novel  device,  and  is  so 
constructed  that  it  revolves  in  one  direction 
-only,  not  requiring  to  be  set,  and  only  re- 
quires to  be  wound  up  to  be  always  ready. 
It  will  make  six  exposures  without  rewinding. 
Any  lens  can  be  fitted  to  the  PREMIER. 


Price, 

Price  with  I 


PREMIER,  WITH  FRONT  LOWERED. 


SEND  FOR  OUR  CATALOGUE. 


Rochester  Optical  Co 

ROCHESTER,  N.  Y. 


25oston  ^amcrn  €hib  —  aEx1)ibitiou,  1892. 


25 


Mr.  JOHN  C.  LEE, 

Brookline,  Mass. 

Boston  Camera  Club. 

130 
131 
132 

133      \  Portraits. 
134 
135 
136 


Lens. 


Developer.  Plate. 


Print. 


T7  XT         r>       A  •  Plain  Salted 

Euryscope  No. ryro-Ammonia.   Lramer.        j  ah 

'  o      3  gj^fj  Albumen. 


Exposure  and  development  by  exhibitor. 


mr.'henry  troth, 

330  Chestnut  Street,  Philadelphia. 

Photographic  Society  of  Philadelphia. 

Lens.  Developer.  Plate.  Print. 

137  On  the  Rancogas.    Brown's  Mills,    Bausch  &  Lomb    Hydro-Eiko.  Carbutt"B."  Platinotype. 

New  Jersey.  Rapid  Universal. 

138  Montmorency  River,  Canada.  "  " 


139  Chaudifere    Falls,    Province  of 

Quebec,  Canada.  "  " 

140  Chaudibre    Falls,     Province  of 

Quebec,  Canada.  "  " 

141  Road  through  the  Holly,  Wildwood 

Beach,  N.J. 

142  A  New  Jersey  Swamp  in  October.  "  " 

Exposure  and  development,  work  of  exhibitor 


Carbutt 
"  Eclipse." 


Carbutt 

"  Orthochro." 


Mr.  T.  JAMES  BABCOCK, 

Coolidge  Avenue,  Dorchester,  Mass. 

Boston  Camera  Club. 

Lens.  Developer. 
143   A    "  Grotto,"  No.  Easton,  Mass.        No.  3,  Eury.  W.  A.  Pyro-Soda. 
B    "  Dear  Old  Lady."  No.  i,  a  " 

c    Residence,  Cambridge,  Mass.        No.  3,  Darlot  W.  A.  " 
D    "  Fern  Grotto,"  No.  Easton,  Mass.  No.  3,  Eury.  W.  A.  Hydroch. 
E    Pierce  House,  Dorchester.  No.  3,  Darlot  W.A.  Pyro-Soda. 

F    "  Pines,"  James  Russell  Lowell, 

Cambridge,  Mass.  "  " 

G    "  Birches,"  Franklin  Park.  "  " 

H    "  Begging  for  Sugar."  No.  i,  a  Eury.  " 

I    Lodge  Gate,  No.  Easton,  Mass.     No.  3,  W.  A.  Eury.  " 

Exposure,  development,  and  print,  work  of  exhibitor. 


Plate.  Print. 
Cramer  B.  Alb.  Silver. 

"  C. 
Carbutt  B. 
Cramer  B.  " 
Carbutt  B.  Plain  Salt. 

Cramer  C.  " 
Carbutt  B. 

Cramer  C.  Alb.  Silver. 

B.  Plain  Salt. 
Pa.  untoned. 


26 


F.  L.  DUNNE, 

Tailor  and  Importer. 

New  Location, 

TRANSCRIPT  BUILDING,— 
328  Washington  Street,  cor.  Milk,  Boston. 


.  .  A  SPECIALTY  MADE  OF  THE  .  . 
MOST  CORRECT  LONDON  STYLES. 


ONE  OF  OLR  TESTIMONIALS  READS: 

Boston,  December  30,  i8go. 
Mr.  Thomas  Hall,  Dear  Sir,  —  The  View  Lantern  which  I  bought 
of  you  last  winter  has  given  perfect  satisfaction.  .  .  ,  Any  Slide  not  too 
dense  for  a  lime  light  is  not  too  dense  for  this  lantern  .  .  .  Lenses,  con- 
densers, and  lamps  are,  in  my  opinion,  the  height  of  excellence. 

W.  C.  LEWIS,  Boston,  Mass. 

THOMAS  HALL, 

MANUFACTURHR   ANO   lU-ALER   IN    AT. I,   KINI)^  OF 

OPTICAL  AND  ELECTRICAL  SUPPLIES, 
19  Bromfield  St.,  Boston,  Mass, 


PHOTOGRAPH  MATERIALS 

 -«  AT  THE  S<-  

Lowest  Prices  in  New  England. 


W/^  have  one  of  the  largest  stocks  of  materials  for 
Amateur  Photographers  to  be  found  in  this  country, 
and  we  aim  to  keep  our  prices  below  our  competitors.  All 
the  prominent  makes  of  Cameras,  Lenses,  Plates,  and 
materials  of  every  description  in  stock. 

Hawkei/e  Camera  from  $13. 13  upwards. 

Ruby  Lanterns  from  50c.  upwards. 

Harvard ,  Standard,  Stanley  and  Allen 
and  Rowell  Plates,  size  4x5  inches,  45c. 
a  box. 

Other  sizes  in  proportion. 

No  matter  what  you  want  in  this  line,  we  know  you  can 
save  money  by  purchasing  of  us. 

= HOUGHTON  &  BUTTON  = 

TREMONT  AND  BEACON  SIS. 


25ositon  Camera  €lub  —  aEjcbibition,  1892. 


27 


Mr.  JOHN  W.  ALEXANDER, 
Yonkers,  New  York. 

Am.  PJioto.  Confereiici. 

144  A  Sunrise. 


Lens.  Developer.  Plate.  Print. 

Gundlach.    Hydrochinon.  Cramer  Isochromatic.  Platinotype 

(Hot  Process). 


146  B  Sunset. 

"  In  maiden  mediiation, 

fancy  free."  "  Pyro-Soda. 

146  A    Indolence.  " 
I!    "  Cheerful  Industry."  '  " 

147  "The  flower  she  touch'd  on 

dipt  and  rose, 
And  turned  to  look  at  her." 

Exposure,  development,  and  print  by  exhibitor. 


Mr.  JOHN  H.  TARBELL, 

124  Lexington  Avenue,  New  York 

Lens. 

148  Twilight  in  the  Adirondacks. 

149  Easter-tide. 


Ih  vclopcr. 

Darlot  R.H.  Eiko- Hydro. 
"  Pyro-Soda. 


Plate.  Print. 
Cramer  B.     Aristo  Paper. 
"  demons  Mat 

Surface  Paper. 


Eiko  Hydro. 
Pyro-Soda. 


Cramer's 
Isochrom. 
Carbutt's 
Eclipse 
Film. 
Stanley. 


Aristo  Paper. 
Kallitype,  No.  2. 


150  A  Flashlight  Study. 

151  Bronze  Group  of  Indians  at 

Entrance  of  Parliament 
Buildings,  Quebec,  Can. 

152  Scene  at  a  Quebec  Restaurant. 

153  The  Citadel  of  Quebec  from  the 

St.  Lawrence  River.  "       "  "  "  " 

154  A  Quebec  Window  Scene.  "       "  "  "  " 

155  "  Sous  le  Cap"  Street,  Quebec.       "       "  ••  Carbutt's 

Eclipse  Film. 
Exposure,  development,  and  print,  work  of  exhibitor. 

Mr.  WILLIAM  H.  DODGE, 

261  Stevens  Street,  Lowell,  Mass. 

Lowell  Camera  Club. 

Lens.  Developer.  Plate.  Print. 

156  "When  evening  touched  the  mount's  high  rim, 

And  dark  fell  on  the  waves. 
We  only  saw  processions  dim 

Of  clouds,  from  shadowy  caves.  O.  A.  Euryscope.  Pyro  Spec.  Carbutt.  Omega. 

Potash. 

157  In  Pastures  Green.  "  "  "  " 

158  Winter.  '  "      Cramer,  No.  60.  " 

159  Quietude.  "  "     Spec.  Carbutt. 

Exposure,  development,  and  print,  work  of  exhibitor. 


28 


camera: 


l5  (oNTTKU(TErDoiiCoKRE-CT  PKmciPLfS  AfID 
IS  BELIEVED  To  CoABINf  tPPICItfiCY  AnD  * 
PoRTABIl-ITY  In  ASuPtKloKnAnneKAnoTo 
AeKEATEREXTenTTHANAnYllANDCAnEKA  OP-1 
FE-KED  The- PKopESSieNAL  OR  AMATEUR-  I 
FtloToCfRAPntR.  ^  <^  <^  ^  <^  ^  j 

iTlsisT  iPohCtiflncfi 

ATlVtsTnATTtienAK-) 
i;r>)  orTni3  InSTRUMfNTBflm 
|jHEII?CLAIfiS«FSUPERl?RITY, 
But  rKonTMECERTAinTY  • 

vOpTwELVE- Pictures 

HRon  Every  DozE-M  ^  ♦ 
^  '  Exposures  •  <  | 


i 


3oToje>  w-sooTt-iiT,  ; 


E 


this  is  not  true. 


■VA/INNERS  of  prizes  in  photographic  exhibitions  are 
almost  invariably  USERS  and  PRAISERS  of 
Prosch  Shutters. 

T"HE  PROSCH  "TRIPLEX"  SHUTTER  is  excelled  by  no 
shutter  in  its  class  in  simplicity  of  make-up,  and  yet 
it  is  very  much  the  most  efticient  shutter  for  all-round 
work. 

IT  is  twice  or  thrice  as  quick  as  its  closest  competitor; 
^  and,  besides,  for  either  TIME  or  SLOW=INSTAN= 
TANEOUS  exposures,  COnPETlTIVE  tests  show  it 
to  have  decided  advantages. 

UR   "ATHLETE"    SHUTTER    for    VERY  QUICK 

work  has  no  competitor. 


O 


Circulars  and  Information  cheerfully  furnished. 


Prosch  Hfo.  Co., 

389  Broome  St.,     =     New  York. 


t^arl 


street 


66 


99 


0000 


l=^©^4©^4mfwy  Lltl^la  Water 


25oston  Camera  €lul>  —  €),1)itJitiou,  IS 92. 


29 


Mr.  E.  ABBOTT  FULLER, 

246  Marlboro'  Street. 

Boston  Camera  Club. 

Lens. 

160  A    Portrait.  Eurygraph. 


Developei . 
Hydro. 


Plate. 
Stanley. 


Exposure  and  development,  work  of  exhibitor. 


Mr. 


WILLIAM  SUMNER  BRIGGS, 
Boston. 

Boston  Camera  Cltih. 

161  Forest  in  Winter. 

162  The  Frozen  Brook. 

163  December's  Bareness. 

164  Winter  Woods. 

165  The  Snow-clothed  River. 

166  Winter  Study  in  an  Orchard. 
167 

168  "Hemlocks  turned  to  pitchy  black 

Against  the  whiteness  at  their  back.' 

169  Winter  Study  of  a  Birch  Tree. 

170  Winter  Study  of  a  Mountain  River. 

171  Winter  Study  of  a  Road  at  Sunset. 

172  The  Silent  Stream. 

173  Poplar  Bridge. 

174  The  Mill  Farm 

175  Meditation. 

176  In  the  Forest. 

177  A  Summer  Road. 

178  A  Duxbury  Road. 

1 79  The  Haunted  House. 

180  A  Mountain  River. 

181  A  Mountain  Stream. 

182  The  Lily  Pond. 

183  A  Corner  of  the  Lake. 

184  November. 


Lens. 

Ross. 

Euryscope. 
Ross. 

Euryscope. 
Ross. 

Euryscope. 


Ross. 


Euryscope. 

Ross. 

Darlot. 


Ross. 


Dmeloper.  Plate. 
Pyro.    Allen  &  Rowel)  Film. 


Print. 

Alb.  Silver. 


Print. 

Plain  Silver. 


Darlot. 


Standard. 
(I 

Allen  &  Rowell  Film. 

Standard. 

Carbutt  Film. 

Standard. 

Carbutt  Film. 

Allen  &  Rowell  Film. 

Standard. 
(I 

Allen  &  Rowell  Film. 


Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  HENRY  R.  HALLETl^ 

310  Harvard  Street,  Brookline,  Mass. 

185  Old  Town  Mill,  New  London,  Ct.,  built  1650. 

186  Wright  Tavern,  Concord,  Mass.,  built  1745. 

187  Minott  House,  Concord,  Mass.,  built  1780. 

188  Fairbanks  House,  Dedham,  built  1636. 

Exposure  and  developr 


Lens.  Developer.  Plate.  Print. 

Darlot  No.  2.    Pyro.  Carbutt  B.  Platinum. 

u  u  u  u 

U  t<  U  (. 

11  l(  11  11 

nt,  work  of  exhibitor. 


30 


^o^fton  Camera  C'Uib  —  <i5xijit»ttion,  1S92. 


/in/lTEURS  OR  FROFESSION/IL5  USINQ 


WILL  FIND  TMT  THEIR  PRmT5 

BE  PERMANENT  IF  CARE  IS  TAKEN. 
RECEIVE  A  HIGH  GLOSS  BY  BURNISHING. 
BE  VERY  EASY  TO  HANDLE. 
GIVE  GREAT  DETAIL. 
RECEIVE  A  COLD  OR  WARM  TONE. 
RECEIVE  HIGH  PRAISE  BY  FRIENDS  WHENEVER  SEEN. 


V 


Ac 


-  OUR  •  CQ5T0nER5  - 


Are  Requested 


TO  NOTICE  OUR 


REDUCTION   IN  PRICES 


Lately  decided  upon, 


on  account  of  our  being  able  to  reduce  cost  of  production, 
now  manufacturing  in  large  quantities. 


Reduced  Prices  after  May  15th 


Ijjijl^j        BE   SURE   TO   ASK   FOR  THEM 

WHEN    BUYING   PAPER   IN  FUTURE. 


M/lNMFflQTVIREb  ONLY  BY 


THE  Q.  E.  nOPKINS  C2., 

16-22  DIVISION  5TREET,  BROOKLYN,  N.T. 


31 


Mr.  QUINCY  POND, 
Auburndale. 

I-ioston  Cavuni  C/ub. 


189  Dixville  Notch,  from  5x7  plate. 

190  Old  Mill,  Weston,  from  6i  x  8?,  plate. 

Exposure,  development,  and  print,  work  of  exhibitor 

Mr.  WILLIAM  A.  KRASER, 

314  Fifth  Avenue,  New  York  City. 


Lens.     Developer.    Plate.  Print. 

Ross.      Pyro.    Seed.    Bromide  Enlargement. 


AVw  York  Camera  Club. 


Lens. 

Gundlach. 


191  A  When  Daylight  dies. 
1!  The  Winter's  Rest.  " 
c  Down  our  Way.  " 

192  A  Daisies.  Ross, 
i:  Cousine  Roses. 

c  Dogwood  Blossoms.  " 

193  A  Chrysanthemums.  " 
p.  La  France  Roses.  " 
c  Easter  Lilies.  " 

194  Yellow  Jonquils.  " 

Exposure,  development,  and  print,  work  of  exhibi 

Mr.  EDWARD  T.  SHERMAN, 

271  Warbunon  Avenue,  Yonkers,  N.Y. 

American  Photographic  Conference. 


Developer.  Plate. 
Pyro.  Seed. 


Print. 

Platinotype. 


Cramer  Iso.  Kallitype. 
Seed. 

Cramer  Iso.  " 


Lens. 


195    Living  Waters.    (Landscape  study  after  Corot.)  Apex. 


Developer.         Plate.  Print. 
Hydro.     Newcomb  Platinum. 
&  Owen. 


196  On  the  Old  Croton  Aqueduct.  " 

197  Peace.   (Landscape  with  Animal  figure.)  " 

198  "  A  drowsiness  steals  over  me  when  the  day's 

occupation  is  done."  " 

199  Old  Orchard  Landscape. 

200  An  Old  Dutch  Porch  of  1682.  Hermagis. 

201  Old  Curiosity  Shop. 

Exposure,  development,  and  print,  work  of  exhibitor. 

Mr.  JAMES  L.  BREESE, 
254  Fifth  Avenue. 

New  York  Camera  Club. 


Silver. 


202  Portrait. 

203 

204 

205  Portraits. 


Lens.  Developer.         Plate.  Print. 

6  D.  Dallmeyer.    Rodinal.    Seed  26.  Platinotype. 


Carbon. 


Exposure,  development  (and  prints  partially),  work  of  exhibitor. 


32 


V) 


LECTilC 


NO  AORE  bELAY  ON  ACTOGNT  Or 
-  WEATHER  - 


FHOTOQRAFMIC  PRINTING  ON  yVLBUAEN  AND 
®   FLy\!N  5ALTED  PAPER  ® 

PARTicuLy\K  Attention  qiven  to  makinq 

NEQAT1YE6    OF    INTERIOR  y\ND 
^   EXTERIOR   WORK  * 

ei1A5.  M.  eCJl^RlER, 

50  PROAFIELb  5TREET, 

ROOMS  28  AND  30.  B05T0M 


THE  INCREASING  DEMAND  for  Bromide 
Photographs  and  the  superior  results 
attainable  by  this  process  have  induced 
me  to  make  BROMIDE  ENLARGE- 
MENTS a  specialty. 


AMATEUR  PHOTOGRAPHERS  are  cor- 
dially invited  to  visit  my  studio,  and 
see  the  possibilities  for  enlargement 
in  a  Kodak,  Hawkeye,  or  negative  from 
any  sized  camera. 


-4-riGiJ E sf  AMTAR D       Ml  C 1 1 A  N LC  3   C  XH /  0/  / i  0 


As  I  am  the  largest  producer  of  bromide 
work  for  the  trade  in  New  England,  my 
facilities  for  doing  YOUR  work  are  un- 
equalled. 

Shall  be  pleased  to  send  you  a  price-list. 

C.  M.  biTGHriELB, 

523  Washington  Street,  BOSTON. 

OPP.  R.  H.  WHITE  &  CO. 


•Boston  €anicra  vClub  —  €i1)itiitiou,  1892. 


33 


Mr.  JAMES  L.  LITTLE, 

Goddard  Avenue,  Brookline,  Mass. 
Boston  Canieia  Club. 


206  Winter  Scene. 

207  Haying,  Midsummer. 

208  Raccoon. 

209  Clumber  Spaniels. 

210  In  the  Woods. 

21 1  In  the  Pines. 

212  Mansion,  Brookline,  August. 


Lens. 

Euryscope. 
Ross. 


Anastigmat. 


Developer. 
Eikonogen. 


Ross. 

Dallmeyer. 

Exposure,  development,  and  print,  work  of  exhibitor. 


Plate. 

Carbutt  B. 

Seed. 

Cramer. 

Carbutt. 
Seed. 


Print. 
Bromide. 


Mr.  JOHN  L.  STETTINIUS, 


213 


214 


215 


158  East  3d  Street,  Cincinnati,  Ohio. 
Amateur  Photographers,  N.  Y. 


Lois. 


Dall.  R.  R. 


Developer. 
Pyro. 


The  Lover's  Leap,  Kentucky  River 
Pasque  Island,  Mass.  " 
Have  some  Sugar,  Doggie.  " 
Their  First  Picture.  " 
On  the  White  Sand.  Beck. 
An  Ornamented  Doorway.  Dall.  R.  R. 

Old  Fulling  Mill,  Kentucky. 
Naushon  Island,  Mass. 
Warm  Springs  Valley,  Va. 
Temptation.  " 

"There  are  crimes, 
Made  venial  Ijy  the  occasion,  and  temptations 
Which  nature  cannot  master  or  forbear." 
Child  Studies. 
Geese. 

A  Long,  Long  Kiss  of  Love  and  Youth. 
Child  Studies.  "  Pyro. 

Child  and  Cats.  "  Eikonogen. 

A  Bit.  Beck.  Pyro. 

Unwilling  from  the  Bath.  Dall.  R.  R.  Eikonogen. 

On  the  Way  to  Market.  '       "  " 


Plate. 


Seed. 


Print. 
Platinum. 


Eiko-Hydro.  Cramer  Isocho. 
Pyro.  Seed. 


Eikonogen. 
Pyro. 

Eiko-Hydro.   Cramer  Isocho. 


Eikonogen. 
Pyro-Soda.  Seed. 


Allen  &  Rovvell.  Bromide. 

Platinum. 
Bromide. 
Platinum. 


Allen  &  Rowell. 
Seed. 

Allen  &  Rowell.  Bromide. 
Seed.  Platinum. 


Exposure,  development,  and  print,  work  of  e.xhibitor. 


34 


^Boston  Camera  Club  —  oErljibition,  1892. 


KODAKS 


For  the  Season  of  i8g2,  zve  offer 
the  following  Improved  Kodaks: 


REGULAR. 

Nos.  2, 

Size  Picture,  3^ 
Price,   .    .  $32.50 


40.00 


JUNIORS. 

Nos. 

Size  Picture, 
Price,      .  . 


FOLDING. 

Nos. 

Size  Picture, 
Price,  .    .  . 


3, 
$40.00 


4. 

4x5 
$55.00 


4. 

4x5 
50.00 


5  X7 
65.00 


DAYLIGHT. 


f       These  cameras  make  100  pictures  without  reloading, 

{  and  have  the  improved  register  for  counting  expos- 

4x5  I 

50.00  [  ures.    Best  finish,  best  Lenses  

Fitted  with  the  improved  register  for  counting  ex- 
posures ;  48  exposures  without  reloading.    Junior  Ko- 
I  daks  can  be  fitted  for  glass  plates  when  desired.  Best 

I  finish,  best  Lenses.   

King  of  Kameras  —  New  Barker  Shutter,  counter 
on  roll-holder  to  register  exposures.  Fitted  for  glass 
plates  when  desired.    Most  practical  combined  hand  and 

tripod  camera.    Best  finish,  best  Lenses  

These  new  cameras  can  be  loaded  in  daylight ;  24 


A, 


Size  Picture,  x  3I 
Price,    .    .  $8.50 


B, 

3^x4 
15.00 


C, 

4x5 


\  exposures  without  reloading.    No  dark  room  required. 


ORDINARY. 


A, 


Size  Picture,  2i^  X3] 
Price,    .    .  $6.00 


B, 

3i!  X4 
10.00 


C, 

4x5 
15.00 


25.00  [  Register  for  exposures  and  all  latest  improvements. 

New  series  of  cheap  kodaks  accurately  made  and  cap- 
able of  doing  good  work  ;  24  exposures  without  reloading. 
The  A  and  B  are  pre-eminently  the  young  folks'  Kodaks. 
The  C  is  a  marvel  of  completeness  

Every  Kodak  tested  in  actual  use,  loaded  and  sealed. 
We  guarantee  each  one  perfect  

Complete  Developing  and  PrintingOutfit  for  any  of 

above  cameras  (except  No.  5  Folding),  with  manual,  $1.50. 

Improved  Film.  The  completion  of  our  new  works  at 
Rochester  and  Harrow  insures  a  ftill  supply  of  transparent  films 
of  improved  quality  and  sensitiveness  

Send  for  Catalogue. 


The 
Eastman 
Company, 

Rochester,  N.Y. 


25ojSton  ^iTamcra  Club  —  <6vl)il)itiou,  1892. 


35 


Mr.  E.  S.  BENNETT, 

317  West  50th  Street,  New  York. 

Amateur  Photographers,  X  )'. 

Portraits  of  Prominent  New  York. 
Ar  i  ISI  S. 

Lens        J)cViioJ',-r.  Plate.  Print. 

216    A    Portrait  of  David  Johnston.  Dalimeyer.    Pyro.    Eagle  Chromatic     Silver  Print. 

Ortho. 

I!         •■  Hillary  F5ell. 

c         '  A.  H.  Wyant. 

n  Wm.  H.  Beard. 

E         ■■  Seymour  J.  Guy. 

F         ••  M.  F.  H.  De  Haas. 

(;         ■■  Wordsworth  Thompson.  "  '• 

H         ■■  Eastman  Johnston. 

I         '•  F.  D.  Millet  (Vice  President 

National  Academy). 
J         ••  T.  W.  Wood  (President  Na- 

tional Academy).  "  "  •*  " 

K  Daniel  Huntingdon.  "  "  "  •' 

L         ■•  J.  G.  Brown.  "  '•  "'  " 

M  Carleton  Wiggins.  "  "  " 

N         ••  J.  B.  Bristol.  "  "  " 

o  J.  H.  Dolph. 

p         "  John  Rogers  (Sculptor).  "  ."  "  " 

Q         "  Walter  Satterlee.  "  '*  '  " 

R         ••  J.  C.  Nichols.  "  .  " 

.s         "  J.  Wells  Champney.  "  "  "  •' 

E.xposure,  development,  and  print,  work  of  exhibitor. 


Mr.  FERDINAND  RUPPERT, 

901  Columbus  Avenue,  cor.  104th  Street 
Amateur  Photographers,  .V.  Y. 

217  On  Dana's  Island. 

218  "Late  Fall." 

219  (Doll-house)  representing  old  German 

Renaissance. 

220  Wuerzburg  (Germany). 

221  The  Old  Bastei  (Wuerzburg). 

222  Dinner  Time. 

223  Old  Mill  on  Long  Island. 

224  Waechtersbach  (Germany). 

225  "All  the  Comforts  of  Home." 

Exposure,  de\ elopment,  a 


Lens.  Developer.  Plate.  Print. 

Sieinheil.  Hydroch.  Cramer.  Aristo. 

"  "  Vogel's  Ortho. 

Dalimeyer.  "  Cramer. 

Beck.  Pyro-Potash.  Eastman. 

Sieinheil.  Eikonogen.  Cramer.  " 

Pyro-Potash.  " 

Beck.  "  Eastman. 

Dalimeyer.  "  Cramer. 


id  print,  work  of  exhibitor. 


36 


^Boston  Camera  Club  —  €vInt)itiou,  1892. 


ESTAHLISHED   1837.  CABLE  ADDRESS  "AGNINE." 

Theodore  Metcalf  Co., 

Pharmaceutical  Ckniists  i  Wholesale  Driigpts, 

(Back  Bay  Branch  —  Copley  Square), 

3g  Tremont  Street,  Boston,  Mass. 


PinP  Phnf-nPranhir  Chpmiral<^  Rare  and  crude,  of  every  description  We 
1    HIC   i  llULU^lCipiill^   V-'HCllllL.CtlO,   make  a  specialty  of  Chemical  Supplies  for 

^5V| O  ■l^Vl  1 Experimental  Work,  and  supply  large  or  small  quantities  of  METALS, 
I^nOLUgretpnil..  acids,    reagents,   and   CHEMICALS  of  known  purity  and  strength. 

From  the  many  years  we  have  dealt  in  this  class  of  supplies,  we  claim  to  be  leaders  in  this 
branch  of  the  drug  trade,  and  by  constantly  replenishing  and  increasing  our  stock  and  at  once  procuring 
or  manufacturing  all  new  chemical  products  we  are  able  to  do  full  justice  to  all  orders 

MERCK  &  CO.,  Darmstadt.        T.  MORSON  &  SONS,  London.        ROSENGARTEN  &  SONS.        BAKER  &  ADAMSON. 

SEND  FOR  QUOTATIONS. 
Pyro  Gallic  Acid.    Blue  Print  Materials.    Chloride  of  Gold.    Coal  Tar  Products,  etc. 


CHAS.  A.  SMITH  &  CO., 


ESTABLISHED  lS38. 


practical  jailors 


ANNOUNCE  THE  OPENING  OF  THEIR 
=====  STOCK  OF  — 


FOREIGN  WOOLLENS 

These  goods  will  be  made  up  in  the  most  thorough  manner, 
and  perfect  satisfaction  will  be  guaranteed  to  every  customer. 


C.  G.  BEAL. 
E.  G.  BEAL. 


1 8  &  20  S™e?,'  Boston,  Mass. 


37 


Mr.  CHAS.  wager  HULL, 

113  W.  38th  Street,  New  York. 

Amateur  Photograpliers  of  New  Yorli. 

Print. 

226  Clouds.  Silver. 

227  School-ship,  "  St.  Mary." 
228 

229  Sandy  Hook  Boat. 

230  "  Fairy." 

231  Sloop  "  Puritan." 

232  "  Mischief." 

233  "  Papoose  and  Nymph." 

234  "Nymph." 

235  "Papoose  and  Nymph." 

Exposure  and  development,  work  of  exhibitor. 


Miss  ELIZABETH  ALMY  SLADE, 

II  West  loth  Street,  New  York. 

Amateur  Photographers  of  New  York  and  Postal  Photographic  Club. 

Lens.  Developer.  Plate. 

236    "  Industry,"  Holland.        Beck.    Eikonogen  &  Quinol.  Carbutt  Ortho.  Film. 


237  "  Preparing  the  Noon-day 

Meal,"  Holland. 

238  "  A  Wool-carder,"  Holland.  " 

239  "The  Home  of  a  Dutch 

Peasant,"  Holland. 

240  Of?  for  a  Drive,  Holland.  " 

E.xposure,  development,  and  print,  work  of  exhibitor. 


Print. 
Manhattan 
Paper,  Sepia 
Toning. 


Maroon  Ton- 
ing. 

Sepia  Toning 


Miss  CATHARINE  WEED  BARNES, 

Western  Avenue,  Albany,  N.Y. 

Amateur  Photographers  of  New  York. 

Lens.  Dt-veloper. 

241  "  Seven  Times  One."  Dall.  3  D.  Pyro-Soda. 

242  "  Seven  Times  Six." 

243  "  Look  in  Mother's  Eyes."  Voigtliinder  " 

244  Revolutionary  House.  Zeiss  Anastigmat.  " 

245  Cinderella.  Dall.  3  D. 

246  Song  of  the  Shirt.  Voigtliinder.  " 

247  Japanese  Study.  "  " 

248  Portrait  Dr.  Chas.  Ehrmann. 

249  Source  of  the  River.  Zeiss  Anastigmat.  " 

250  Portrait  of  Lady.  Voigtlander. 


Plate. 

Stanley. 


Print. 
Silver. 


Kail.,  No.  2 

Platinum. 
(( 

Bromide. 
Silver. 
Kail.,  No.  2 


38 


25o!tfton  Camera  €Uiti  —  <iEi1ntiition,  1892. 


(no.  3 88  TDae^ing^on  Mtmt 

QBo0^on 


our  tn0pectton  aofictteb. 


2^o^ton  toiicra  ChilJ  —  aEvl)itJition,  1892. 


39 


251  Home-made  Statues. 

252  Entrance  Hall. 

253  Dining-room. 

254  Drawing-room. 


Lens.  Developer. 

Dall.  R.  R.  Pyro-Soda. 
Zeiss  Anastigmat.  " 
Dall.  W.  A. 

Exposure,  development,  and  print,  work  of  exhibitor. 


Plate. 
Stanley. 


Mrs. 


255 


JAMES  OSBORNE  WRIGHT, 

ii8  W.  nth  Street,  New  York. 
"  Snap  Shots." 


Lens. 
Triad. 


Developer. 
Eiko-Hydro. 


Plate. 

Seed  26. 


A    Mill  River. 
B  Clouds. 

c    Evening  Shadows.  Gundlach.  "  " 

D    Hill-side  Pasture.  •  Triad.  '"'  " 

E    The  Ford.  Voigtliinder.      "  " 

F    Anne.  Gundlach.  "  " 

G    Sheep  —  "VernaFarm."  Triad.  "  " 

H    Roaring  Brook.  Gundlach.  "  " 

I    Hazy  Day — Fairfield  Beach.  Triad.  "  " 

J    Jersey  Belles  —  "VernaFarm."  Gundlach.  '•  " 

"  Two  is  Company."    Flashlight.  Voigtliinder.  Cramer  C. 

"  Many  Years  Ago."  Euryscope.        "  " 

Old-fashioned  Flowers.  "  "  " 

Dorothy.  Gundlach.         "  " 

Illustrations  for  Lowell's  Poems. 
"The  Courtin'." 

An'  yit  she  gin  her  cheer  a  jerk, 

Ez  though  she  wished  him  furder, 
An'  on  her  apples  kep'  to  work, 
Parin'  away  like  murder." 

"  Under  the  Willows." 

"This  willow  is  as  old  to  me  as  life, 

And  under  it  full  often  I  have  stretched, 
Feeling  the  warm  earth  like  a  thing  alive." 

The  Angler. 

"  I  see  him  trace  the  wayward  brook 
Amid  the  forest  mysteries." 
Exposure,  development,  and  prints  (excepting  256,  257,  258,  259),  work  of  exhibitor. 

Mr.  G.  W.  WUNDRAM, 

316  Quincy  Street,  Brooklyn. 

Amateur  Photographers  of  Mew  York. 

Lens.  Developer. 
263    A    Portrait  Study.  Dallmeyer.  Pyro-Potash. 

B  Washington  Bridge,  New  York.  "  " 
c    Group,  original  picture.  Gundlach.  " 

D    Group,  enlargement  of  C.  "  " 

E    Sail-boat  at  Shelter  Island, 
New  York. 

F    Landscape  Study.  Dallmeyer.  " 

Exposure,  development,  and  print,  work  of  exhibitor. 


256 
257 
258 
259 

260 


261 


262 


Plate. 
Forbes. 


Print. 

Silver. 


Print. 

Platinum. 


Carbon. 


Platinum. 


Print. 


Platinotype 
I  Process. 


40 


AND 


Ngw  styles  for  1892. 

THE  FOLDING  HAWKEYE  (5  x  7). 

THE  5x7  KAr\ARET. 

THE  PETITE  KaA\ARETTE. 

These  Cameras  use  regular  glass  plates,  cut  films,  or  Blair's  New  Film,  in  rolls, 
for  25  to  100  pictures  without  reloading. 

Cr'i  T  T  //  TJ/  77  '\^T7  ^^'^  largest  sale  of  any  combined  plate 
1  06  llJiyy  r^'tL  I  lL  and  film  Camera  ever  made  


The  KAMARET 


is  unequalled  for  Tourists'  use,  being  nearly  one-third 
smaller  than  any  similar  camera  of  equal  capacity. 


Any  one  who  will  glance  over  the  Hawkeye  and  Kamaret  booklets  (which  are 
sent  free)  will  understand  why  his  choice  should  be  one  of  these  rather  than  any 
of  the  numerous  other  cameras  which  are  advertised. 

The  prices  rzvnge  frorp  $15  to  $55 

We  develop  and  finish  the  pictures  or  furnish  outfits  for  such  purpose,  as  preferred. 
Also    Blair's    unequalled    View    Apparatus,    the    "IMPROVED  REVERSIBLE 

BACK"   and   "ENGLISH  COMPACT." 
Taylor  &  Hobson'S  fine  ENGLISH  LENSES,  and  general  photographic  supplies. 

The  Blair  Camera  Co.,  manufacturers, 

Salesrooms,  Wholesale  and  Retail,  471  Tremont  St.,  Boston;  451-453  Broad- 
way, New  York;   918  Arch  St.,  Philadelphia;   245-247  State  St.,  Chicago. 


WOr<'T  FRILL 


THE   ABOVE  SOLD   BY   ALL   DEALERS   IN   PHOTOGRAPHIC  GOODS. 


E.  &  H.  T.  Anthony  &  Co., 

  Trade  Agents,  new  york. 


25oston  Camera  dub  —  €j:!)it)ition,  18^2. 


4-1 


Mr.  CHARLES  BALLIURD, 
1300  Broadway. 

Amateur  Photographers  of  iXew  York. 

264  Model  of  the  Parthenon,  i-2oth  of  its  size, 

restored  by  Chipiez  (Paris). 

265  Model  of  the  ancient  Temple  of  Karnak 

(Thebes),  i-2oth  of  its  size,  restored  by 
M.  Chipiez  (Paris). 

266  Same  as  No.  264. 

267  Jersey  Lady,  with  her  two  Grandchildren. 

268  Interior  in  Country  House. 


Lens. 
Ross  W.  A. 

Dalm.  W.  A. 
(( 

Dalm.  R. 
Darlot. 


Developer. 
Eiko. 


Plate.  Print. 
Cram.  Silver. 

Isochrom.  " 
It  ti 

a  it 

Carbutt. 


Exposure,  development,  and  positive,  work  of  exhibitor. 


Mr.  EDW.  LEAMING, 

113  W.  38th  Street,  New  York. 

Amateur  Photographers  of  New  York. 

Prhit. 

269  Portrait  Study.  Platinotype. 

270  "    .  " 

Exposure,  development,  and  prints,  work  of  exhibitor. 


Mr.  JULIUS  GOLDSCHMIDT, 
48  Walker  Street. 

Amateur  Photographers,  N.  V. 

Lens.  Developt-r.  Plate.  Print. 

271    A    Stone  Bridge,  Meran.  Tyrol.  ] 
1?    Casino,  St.  Moritz,  Switzerland.  I 
c    Villa  Planta,  " 
D    Obermais,  Tyrol. 
E    Interior,  Drawing-room. 
F         "  Sleeping-room. 

G    St.  Moritz  Village,  seen  from  the  \  Dallmeyer.    Eikonogen.    Cramer  C.     Silver  Print. 

Heights. 
H    Kurhaus,  St.  Moritz. 
I    Village  on  the  Julier,  Switzerland. 
J    Ruin  of  Church  at  Pontresina. 
K    Ehrenbreitenstein  from  the  Rhine. 
L    Garden  of  Hotel  Royal  at  Bonn. 

Exposure,  development,  and  prints,  work  of  exhibitor. 


4'2 


—  oBvljitiition,  1892. 


CRAMER'S  SPECIALTIES  P 


CRAMER'S 

ISOCHROMATIC  PLATES. 

Slow  —  Medium  —  Instantaneous. 

The  perfection  of  Orthochromatic,  or  color-sensi- 
tive Plates. 
Requiring  no  yellow  Screen. 

CRAMER'S 

Lightning  Plates. 

Unsurpassed  for  quality  and  speed. 

Develop  and  fix  quickly. 
NOTE:  The  three  grades  of  sensitiveness,  formerly  A, 
B,  and  C,  are  now  designated  by  the  following 


TRADE  MARKS: 

ANCHOR 

BANNER 

CROWN 

BRAND. 

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G.  CRAMER  DRY  PLATE  WORKS, 

ST.  LOUIS,  MO. 


FOR  SALE  BY  ALL  DEALERS  IN  PHOTOGRAPHIC  MATERIALS. 

Ch^5E^5  Q/ILLERT, 

7  HflniLTON  FLflCE, 


FREE  EXHIBITION  2F  FKTURE5 
IN  THE  QilLLERT. 


R^ACTISED  [MORE  BEFORE. 

TH^/JN  ^FTER  SUNDOIVU^. 

piasi?  \\(^\)\:  pf70tO(5rapl7y 

Is  now  all  the  go  in  taking  all  kinds  of  interiors,  and  in 
commercial  work,  samples  of  furniture,  machinery,  interior 
decorations,  etc  In  portrait  work  it  is  making  rapid 
strides  towards  perfection. 

To  insure  success,  a  good  lamp 
must  be  used. 


Mr.  Wm.  H.  Rau,  the  well-known  Philadelph  a  photog- 
rapher, unsolicited,  wrote  this  about  the  PROSCH 
STORAGE  FLASH  LAMP:  "I  am  having  remarkable 
success  with  the  lamps  I  am  now  using,  and  have  under- 
taken, successfully,  many  subjects  that  I  previously  refused 
to  try." 

Circulars  and  Itifonnation  cheei-fiilly  funiislied. 

389  Broome  5'^r(?"?t,   .    .    ,   f/eu;  Vorl^. 

TOT, 

imLm  mwowrm 

71  lEiMCOP  STMEET, 

OPPOSITE    PUBLIC  GARDEN, 


Agent  for  WHITAKER  &  CO  ,   and   HILL  BROS.,   LONDON,  W. 


Telephone  ydj  Tremont. 


^Boston  Camera  €lub  —  aBj:I)ibition,  1S92. 


43 


Mr.  ALFRED  P.  SCHOEN, 

113  VV'est  38tli  Street,  New  York. 

Amateur  Photographers  of  A^ew  York. 


272 
273 
274 
275 
276 
277 
278 
279 
280 
281 
282 


The  Source  of  the  Brook. 
Hoboken  (N.J.)  Glen. 
In  Central  Park. 


Lens. 
Darlot. 


Waterbury. 
Gundlach. 
Orange  Co.,  N.Y.  Darlot. 

Waterbury. 
Darlot. 


Develops 
Pyro. 


In  Repose,  Central  Park. 
A  Road  in  Goshen,  N.Y. 
Old  Bridge  over  Wallkil 
View  on  the  Harlem. 
Tree'd. 

An  Orange  County  (N.  Y.)  Pastoral. 
Cleopatra,  Central  Park. 

Exposure,  development,  and  print,  work  of  exhibitor. 


Plate. 
Forbes. 


Seed. 
Forbes. 


Carbutt. 


Print. 

A.  Peebles 
Smith's  Ideal 
Photo  Paper. 


Mr.  H.  M.  GRISDALE, 

113  West  38th  Street. 

Amateur  Photographers  of  New  York. 

Lens.  Developer.  Plate.  Print. 

283  The  Pool.  Ross.    Pyro-Potash.    Cramer.    Plain  Paper 

and  Platinum. 

284  The  Ford. 
286  Bushkill  Falls. 

286  The  Old  Homestead. 

287  An  Old  Bridge. 

288  Meadow  Stream. 

289  Fallen  Leaves.  "  *'  .  " 

290  Fairy  Falls. 

291  On  the  Bronx. 

292  Study  in  Gray. 

293  By  the  Brook. 

294  Hanging  Rock  Falls. 

295  Winter. 

296  Declining  Day.  " 

297  Nature's  Mirror.  "  " 

298  Under  the  Willows. 

299  Quietude. 

300  Meadow  Brook. 

301  A  Mountain  Stream. 

302  An  Old  Log  Cabin. 

303  A  Winding  Road. 

304  Running  Waters. 

305  Landscape  Study.  "' 

306  New  York  Harbor. 


4-4 


2^oston  Camcta  €lutj  —  aEj:|)it»ition,  1892. 


GaNDLAGH  Optigal  GO- 


ynANypAGraRERS 

.  .  OF  .  . 


ROGHESTER,  N.Y. 

PHOTOGRAPHIC  LENSE5r 
IRIS  D1APHRAGA\5, 
SHUTTER5,  ETC. 


-^OdR^ 


ll)ldG-(5lH|[e, 

[<t)  ^  ' 

portrait 

LENSES 


ARE    UNRIVALLED    IN    THEIR    EXCELLENCE,    AND    ARE     USED  BY 
MANY  OF  THE  MOST  CELEBRATED  PHOTOGRAPHERS 
THROUGHOUT  THE  WORLD. 

OUR  SHUTTERS  AND  IRIS  DIAPHRAGMS  GIVE  THE  VERY  BEST 
OF  SATISFACTION. 

Send  for  Catalogue  to  your  STOCK  DEALER  or  to  the 


aNDUAGH  OpTIGAL  Go. 


25o^fton  Camera  Club  —  €x1)il>ition,  1892. 


45 


307  Early  Spring. 

308  Cloud  Study. 

309  Study  of  Foliage. 

310  A  Pike  County  Road. 

311  Suicide's  Lane. 

312  Snap  Shots. 

313  The  Coming  Storm. 


Lens. 
Ross. 


Developer. 
Pyro-Potash. 


Plate. 
Cramer. 


Print 
Plain  Paper 
and  Platinum. 


Exposures  and  development,  work  of  e.vhibitor. 


Mr.  ALFRED  STIEGLITZ, 

14  East  6oth  Street,  New  York. 


A?fi£itetif  Photo^ycipheys  op  ^^eiu  Yot'k. 

Lois. 

Developer. 

Plale. 

Print. 

oil 

I 

Weary.  oLcUiiicli 

nyaro,  wx., 

n  oc 

Aplanat,  ig.  in. 

and  Pyro. 

Ortho.  (Eosine 
Silver). 

Platinotype. 

315 

2 

Stones  of  Venice. 

316 

Prof.  Vogel. 

317 

4 

Little  Innocence.  " 

318 

5 

The  Wanderer's  Return. 

a 

319 

6 

On  Lake  George. 

320 

7 

Cortina. 

u 

321 

8 

A  Summer  Afternoon.  " 

322 

9 

The  Village  Smithy. 

323 

10 

Biarritz.  " 

324 

II 

A  Study  in  Gray.  " 

325 

12 

November  Days.  " 

326 

13 

At  Interlaken.  " 

ii 

327 

14 

A  Nook  in  Pallanza.  " 

%i 

328 

'5 

Marina.  " 

329 

16 

Marva.  " 

330 

17 

A  Flashlight  Study. 

331 

18 

Evening. 

Exposure,  development,  and  print. 

work  of  exhibit 

or. 

Mr.  HUGO  S.  MACK, 

1x3  West  38th  Street,  New  York,  N.Y. 

Amateur  Photographers  of  New  York. 

Lens. 

332  In  the  Glen.  Gundlach. 

333  On  the  Wallkill. 

334  Another  View. 

335  Kaffeemiidel  und  Kellnerin. 

336  II  Penseroso. 

337  A  Siamese  Twin. 

338  Marine.    The  "Newark." 


Exposure  and  development,  work  of  exhibitor. 


Developer. 

Pyro. 


Eiko. 


Pyro. 


Plate. 

Wuestner. 


Carbutt  Film. 
Cramer  B. 


Print. 
Platinum. 


Plain  Print. 
Platinum. 


46 


^o^fton  €amcra  €lub  —  aJrfjibition,  1892. 


Walter  Kimball  &  Co 


No.  9  PARK  STREET. 


IMPORTERS    AND    DEALERS  IN 


Worlds  of  7\rt 


Cngratingjs,  mater  Colons, 


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Framing  of  all  kinds. 
Novelties  in  Leather  Frames,  Vignette,  Card,  and  Cabinet 


Si{es. 


BAUSCH  &  LOMB  OPTICAL  CO. 

Manufacturers  of  the  Popular  American  Standard 

RAPID  UNIVERSAL  LENSES, 

for  Group  work  in  Studios  and  all  ouldi  or  work,  and 

ALVAN  G.  CLARK  LENSES, 

on  both"  of  wliich  there  has  been  a  decided  reduction  ni  price'^. 
The  New  and  Wondeiful 

ZEISS-ANASTIGMAT  LENSES, 

of  whicli  we  are  tlie  Sole  American  Matiufaciurers.    In  three  Series, 
for  Studio,  Architecture,  Landscape,  and  Copying. 

DIAPHRAGM  SHUTTER, 

which  stands  without  rival. 

ROCHESTER,  N.Y.,  P.O.  Drawer  1033. 

NEW  YORK  CITY,  P.O.  15ox  432. 

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z  _ 

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a  >- 

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K  an 


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as  < 


23o^ton  Camera  €Iuti  — €r()ibmon,  1S92. 


47 


Mr.  W.  W.  BYINGTON, 
Albany,  N.Y. 

Amateur  Photographers  of  New  York. 

Lens.  Developer. 

339  Apiary.  H.  &  L.,  8  x  lo.  Hydro. 

340  Bees  at  Work. 

341  East  Gloucester  Light-house.  B.  &  L.,  6.^  x  Pyro. 

342  Excursion  Steamer,  Cape  Ann. 

343  Spouting  Rock,  Cape  Ann.  "  " 

344  Splash  of  Water. 

Exposure  and  development,  work  of  e.xhibitor. 


Plate.  Print. 

Cramer.      Silver  Print 


Miss  SARAH  J.  EDDY, 

4  Bell  Street,  Providence,  R.I. 
Boston  Camera  Club. 

345    A    Listening  to  the  Birds. 


Lens. 


B    The  Spirit  of  a  Flower.  Rapid  Rect. 

c    "  The  little  bird  sits  at  his  door  in 

the  sun."  " 
D    A  Sunny  Kitchen. 


Euryscope 
No.  I,  A. 


Developer. 
Pyro-Pot. 


Hydro. 

Voigtliinder's  Eikonogen. 


Hydro. 


E    A  Tea  Party. 

F    Spring  Blossoms.  " 
346    G    Please  buy  my  Flowers.  " 
H    Signing  the  Band  of  Mercy 

Pledge. 
I    Our  Baby. 

J  A  Quiet  Hour.  " 
K  A  Precious  Load.  " 
L    Alexander.  "  " 

Exposure,  development,  and  print,  work  of  exhibitor 


Eikonogen. 
Pyro-Pot. 


Plate. 

Ortho.  Chromatic. 

Eoside  of  Silver. 
Allen  &  Rowell. 


Cramer  Crown. 
Eagle. 

Cramer  Crown. 


Cramer  Banner. 
Cramer  Crown. 
Allen  &  Rowell. 

Cramer. 


Print. 
Platino- 
type. 


Mr.  henry  W.  BELKNAP, 

15  Charles  Street,  Boston,  Mass. 

Boston  Camera  Club. 

347    A    On  the  Charles,  Riverside,  Mass. 


D    Pool,  near  Magnolia,  " 
348    A    Fishermen  at  Anchor,  Manchester, 
Mass. 

B  Dana's  Beach,  Manchester,  Mass. 
c    Essex  Ship  Yards,  Essex,  " 

p  11  ((  U  <(  i( 


Ross 


Developer.  Plate. 
R.  R.  Seed  Hydro.  Seed. 


Harvard"  Harvard. 


Print. 

Plain  Salted. 


Albumen. 


48 


GEORGE  H.  ELLIS, 
PRINTER  AND  PUBLISHER, 
141  FRANKLIN  ST., 
BOSTON. 


=°Zo'^l  i^^ateur  Pf?oto^ra piker's  Supply  Stor(? 


Where  Are  Sold 
The  Wonderful 

Eurygraph  Lenses 

"Our  Own" 

Hydrochinon  Developer 

"Our  Own " 

Toning  and  Fixing  Solution 


"Our  Own" 


Superb  Outfits 


"Our  Own" 

Superfine  Blue  Paper 


Flash-light,  Negative  on  6  1-2x8  1-2  Stanley  Plate,  Eurygraph  W.  A   Lens,  "  Our  Own  "  Develope 

Prosch  Lamp. 


.  .  Also,  .  . 

KODAKS,  HAWKEYES,  KAMARETS,  Etc. 

PLATES,   FILMS,  AND  CHEMICALS. 


Barker  &  Starbird,  •  •  •  56 


Bromfield  Street, 
boston,  mass. 


T>eveloping  and  Trinting  promptly  done. 


Send  for  our  Catalogue. 


25o?tou  Camera  €lut)  —  oBxIjibitiou,  1892. 


49 


Lens.  Developer.  Plate. 

349  A  The  Flume,  Franconia  Notch,  N.H.    Ross  R.  R.    Seed  Hydro.  Seed. 
B  On  the  Charles,  Riverside,  Mass. 

c  The  Flume,  Franconia  Notch,  N.H. 

D 

350  A  Magnolia  Woods,  Magnolia,  Mass.  "  Harvard " 
B  Duck  Brook,  Bar  Harbor,  Maine.              "  " 


Print. 

Albumen. 


Harvard.  Aristotype. 
Seed  Films.  " 


Darlot  W.  A.  Pyro-Soda. 


'  View. 


D    Outlet  of  the  Pool,  Franconia  Notch, 
N.H. 

351    A    Newgate  Prison,  Simsbury,  Conn.,  a 
relic  of  Colonial  times. 
B    Newgate  Prison,  Simsbury,  Conn.,  a 

relic  of  Colonial  times, 
c    Valley  of   the  Farmington  River, 

Simsbury,  Conn. 
D    Valley  of   the  Farmington  River, 

Simsbury,  Conn.  "     "  "  ' 

E.xposure,  development  (and  prints  in  frame  350),  work  of  exhiljitor. 

Miss  MARY  F.  RUSSELL, 

151  Commonwealth  Avenue. 

Lens.  Developer.  Plate. 

VVaterbury.       Eikonogen.       Allen  &  Rowell. 
Exposures,  work  of  exhibitor. 


Harvard.  " 
Carbutt  B.  Bromide. 


352  Portraits. 


Print. 

Albumen  Silver. 


Mr.  LOUIS  B.  SCHRAM, 

18  E.  60th  Street,  New  York-  City. 

New  York  Soeiety  of  Amateur  Photographers. 

Lens.  Developer.  Plate. 

353  A  Shady  Lane.  Beck.       Eikonogen.  Cramer. 

354  In  the  Pasture. 

Exposure,  dovelepment,  and  print,  work  of  exhibitor. 

Mr.  ALRED  L.  SLMPSON, 

127 1  Broadway,  New  York  City. 

Amateur  Photographers  of  New  York. 


Print. 

Chloride  of  Silver  Emulsion. 


Lens.  Developer. 
Morrison.  Pyro. 


355    A  ''  Puritan  "  in  First  National  Cup  Race. 

B  "  Genesta  "  in  " 

c  "  Priscilla  "  Trial  Race. 

B  "  Mayflower  "  Second  National  Race.  Hermagis. 

E  "  Galatea  "  and  "  Mayflower  "  Start. 

F  "Galatea"  Second  National  Cup  Race. 

G  "  Atlantic  "  Trial  Races.  " 

H  "  Volunteer  "  Last  Cup  Race.  " 

I  "Thistle" 

Exposure,  development,  and  print,  work  of  exhibitor 


Plate.  Print. 

Harvard.  Albumen. 


50 


25o^ton  Camera  €liit)  —  €ii)ibition,  1892. 


A.  W.  ELSON  &  CO. 


PHOTO- 
GRAVURE 


(GILBO) 


146  Oliver  St.,  -  Boston, 

AND  AT  CAMBRIDGE. 


Art  Reproductions  of  Oil  Paintings, 
Water  Colors,  Etc.,  for  Fine 
Illustrated  Books,  Subscription 
Publications,  Framing  Purposes^ 
Etc. 


T'lates  up  to  24  x  j2  incbes  work. 


OLD  .  WEDGWOOD  .  WARE. 


1810 


892 


THE  above  represents  a  reproduction  of  an  old  pattern  made  by  Josiah  Wedgwood  &  Sons,  the 
world  famous  Potters  of  Staffordshire,  England,  in  1810.  The  same  engriavings  and  moulds 
are  used  in  making  this  reproduction  that  were  used  when  first  made.  The  color  is  royal  blue,  and 
the  ware  unexcelled  for  beauty  and  durability.  We  control  this  pattern  exclusively,  and  offer  it  at 
very  low  prices. 

RICHARD  BRIGGS  &  CO., 

287  WASHINGTON  STREET,  2  TO  8  SCHOOL  STREET, 

BOSTON,  MASS.,  U.  S.  A. 


2E>o^ton  Camera  Club  —  €rl)ibmon,  1S92. 


51 


Mr   F.  ALCOTT  PRATT, 

3  Somerset  Street,  Boston. 

Boston  Camera  Club. 

Lens.  Developer.  Plate.  Print. 

356    A  Ricketson's  Bust  of  Miss  Alcott.     Eurygraph.      Hydroquinone.    Carbutl  B.  Bromide. 

B 
C 

D  "  "  "  "  "  "  "  " 

Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  JAMES  A.  WELLS, 

2  Pemberton  Square,  Boston. 

Boston  Camera  Club. 

Lens.  Developer.  Plate.  Print. 

357  Ripogenees  Gorge.  Dallmeyer.        Pyro-Soda.         Allen  &  Rowell  Bromide 

Films.  Enlargement. 

358  The  Little  Heater. 

359  October  Morning.  "  "  "  " 

360  Twilight. 

Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  RALPH  TRAUN  FRETWELL, 

Dortmund,  Westphalia,  Germany. 

Lens.  Developer.  Plate.  Print. 

361  A  Little  Brook  in  the  Black      Lynkeioscop,  made  Westendarp  & 

Forest.  by  Goerz  of  Berlin,  Eikonogen    Gebhardt,  Engehuann's 

362  Haymaking   in    the    Black      Germany.    Series     and  Hy-       Cologne,  Ger-  Aristopaper. 

Forest.  C,  No.  3.    9  inch     droquinon.  many. 

363  A  Farmyard  in  the  Black  Forest.  Focus. 

Exposure,  developrnen',  and  positive,  work  of  exhibitor. 


Mr.  WILFRED  A.  FRENCH, 

No.  10  Newbury  Street,  Boston. 

Boston  Camera  Club. 


364 
365 
366 
367 


368 
369 
370 
371 
372 


A  Fair  Opponent. 
Between  the  Sets. 
The  Critical  Moment. 
Embarrassment. 

"  Mistress  Mary,  quite  contrary, 

How  does  your  garden  grow  ? 
With  silver  bells  and  cockle  shells, 

And  pretty  maids  all  in  a  row." 
Consultmg  the  Oracle. 
Confiding  the  Secret. 
For  whom  is  she  making  it  ? 
Studio  Portrait  Study. 


Lens. 


Extra 
,  Rapid 
'  Eury. 

No.  2. 


Euryscope. 
No.  3. 


De'oeloper. 


Pyro- Potash. 


Print. 


Silver. 


52 


2Doston  €amcm  €luli  —  aErljibition,  1S92- 


-  Books  for  Students  of  Art.- 


American  Architecture: 

Studirs.  By  Muntgomkrv  Schuvlhr  With  Illuslrations.  Svo, 
Full  Leather,  Ornatnental,  Uncut  Edges  and  Gilt  Top,  $2  50. 

History  of  Mediaeval  Art. 

By  Dr.  Fi;an/!  vu.n  Reber.  Translated  and  augmented  by  Joseph 
Thacher  Clarke.  With  422  Illustrations  and  a  Glossary  of 
Technical  Terms.    Svo,  Cloth,  $5  00. 

History  of  Ancient  Art. 

By  Dr.  Fkanz  von  Rebek.  Revised  by  the  Amhor.  Translated 
and  augmented  by  Joseph  Thai  iii:r  Ci..\k|vE  V\  iih  310  Illus- 
trations and  a  Glossary  of  Technical  Terms.    ,Svo,  Cloth,  J3  50. 

Historical  Studies  of  Church  Building 

in  the  Middle  Ages:  Venice,  Siena.  Florence.  By  Charles 
Eliot  Norton.    Svo,  Cloth,  Uncut  Edges  and  Gilt  Top,  $3  00. 

Hints  to  Amateurs. 


A  Hand-book  on  Art.     By  Louise  Joi  ling. 
Paper  Covers,  50  cents. 


Post  Svo,  Ornamental 


Published  by  Harper  &  Brothers,  New  York. 

The  above  7vo>  ks  are  for  sale  hy  all  booksellers ,  will  be  sent 
by  mail ^  postage  prepaid^  to  any  part  of  ike  United  States^  Canada, 
or  Mexico.,  on  receipt  of  the  price. 

P.  G.  HAMERTON. 

"  Readers  of  Mr.  Hamerton's  works  have  acquired  a  well-grounded 
confidence  that  he  will  touch  no  subject  of  which  he  has  not  something 
fresh  or  original  or  instructive  to  say,  and  that  whatever  he  does  say  will 
be  said  in  a  manner  which  of  itself  would  suffice  to  attract  and  hold  the 
attention.'' 


A  Painter's  Camp. 
Thoughts  about  Art. 
The  Intellectual  Life. 
Chapters  on  Animals. 
Round  my  House. 
The  Sylvan  Year  and 
the  Unknown  River. 

Portfolio  Paper,  French  and  English. 
vols.     Cloth.    $2.00  eac/i. 
Oxford  S/j'/c,  $/.Jo  each.  Half  calf ,  $j6.oo  per  set. 


Wenderholme. 
Modern  Frenchmen. 
Life  of  J.  M.  W.  Turner. 
The  Graphic  Arts. 
Human  Intercourse. 
Landscape 


ETCHINGS  AND  ETCHERS. 

A  Treatise  Critical  and  Practical.  Illustrated  with 
Etchings  printed  in  Paris  under  the  supervision  of  Mr. 
Hamerton.  a  new  revised  and  enlarged  edition. 
Svo.  $5.00. 

DESCRIPTIVE    CATALOGUE    MAILED  FREE. 


ROBERTS  BROTHERS, 

BOSTON. 


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The  subjects  of 
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of-door  effects) ;  Pansies  in  Birch  Park  CANOE(illnstrated,. 

Other  color  pictures  will  include  floral  sprays,  Dresden  designs,  etc. 

The  magazine  itself  will  contain  articles  on  American  artist.^  modern 
French  artists,  an  account  of  the  famous  lulian  Academic,  clearly 
written  reviews  of  foreign  picture  shows,  and  aVt  gossip  from  all  over  the 
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no.  9  desbrosses  st.,  new  york. 


Nature  in  Ornament. 

l!y  Lewis  F.  Day,     With  123  full-page  p'ates,  192  illustrations 
in  ihe  Te.\t.    Thick  cown  Svo,  44  50. 

BV  THE  SAME  AUTHOR. 

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35  illustrations.  $1.40. 

THE  PLANNING  OF  ORNAMENT. 

3.S  illustrations.  $1.40. 

THE  APPLICATION  OF  ORNAMENT. 

42  illustrations:  $1.40. 

ORNAMENTAL  DESIGN. 

116  illuslrations.  $4.20. 

SOME  PRINCIPLES  OF  EVERY=DAY  ART. 

Illustrated,  fi.50. 


*^*For  sale  by  all  booksellers,  or  sent  postpaid  by 

CHARLES  SCRIBNER'S  SONS, 

743  and  745  Broadway,  New  York. 


I 


2B»ostou  Camera  €lu£i  —  <!Exljit>ition,  18^2. 


53 


Lens. 


A  Household  Idol. 

A    "  Drink,  Pretty  Creature,  drink  !  " 

B 

c 

D 
E 
F 
G 
H 


Euryscope. 

No.  4.  Voigtlander  Portrait.  " 
Euryscope  No.  2.  " 


373  Group  of  Old  Landmarks. 
A  Pierce  House,  Dorchester,  Mass.,  1745.  Euryscope 
B  Old  Garrison  House,  Newburyport,  Mass.  No.  2. 
c  Birthplace    cf  Oliver  Wendell  Holmes, 

Cambridge,  Mass. 
D  Historic  Homestead,  Quincy,  Mass.,  1635. 

374  Iron-bound  Island,  Mt.  Desert,  Maine. 

375  The  Roberts  Oak,  Waltham,  Mass 
376 
377 

A  Peep  through  the  Willows,  Thornton,  N.H.  "  " 

A  Rural  Group.  "  " 

On  the  Banks  of  Mad  River,  N.H. 

Artists'  Retreat,  Waterville,  N.H.  "  " 

A  Sunny  Road,  Campion,  N.H.  "  " 

Near  the  Brook,  Waterville,  N.H. 

Farm  at  Thornton,  N.H.  "  " 

1    Glimpse  of  the  Neponset  River  at  Hyde 
Park,  Mass. 

Exposure,  development,  and  printing  (but  not  toning),  work  of  exhibitor 

Mr.  CHAS.  R.  PANCOAST, 

144  N.  2d  Street,  Philadelphia. 

The  Photographic  Society  of  Philadelphia. 


Developer. 
Pyro-Potash. 


378  Halloween.  (Flashlight.) 

379  A  New  England  By  way. 


380  Mt.  Everett,  Mass. 

381  An  Afternoon  in  the  Berkshires. 

382  The  Broken  Egg. 

383  A  Berkshire  Road. 


384    An  Out-of  the-way  Spot. 


Lens. 
Ddllmeyer 

R.  R.,  II  in. 

Wray  single 
Landscape 
Lens,  15  in. 


Dalimeyer 
R.  R.,  II  in. 
Wray  single 
Landscape 
Lens,  15  in. 


Developer. 

Pyro. 


Plate. 
Cramer  50. 


Eikonogen    Seed  26. 
and  Hy- 
drochinon. 


Pyro. 


Fer.  Ox. 


Carbutt  B. 


Exposures,  developments,  and  print  of  376,  work  of  exhibitor. 

Mr.  GEORGE  H.  EATON, 


385 
386 
387 
388 
389 
390 


10  Mt.  Washington  Avenue. 

Boston  Camera  Club.  Lens.  Developer. 

Portrait.  Euryscope.  Pyro-Soda. 


Plate. 
Cramer. 


Seed. 


Print. 

Silver. 


Print. 

Hot  Process 
Platinotype. 


Print. 

Plain  Paper. 


Exposures  and  development,  work  of  exhibitor. 


54 


25o^fton  Camera  Club  —  €xl)iBition,  1892. 


Heliotype  Printing  Company, 

Donald  Ramsay,  Treas. 

211  Tremont  Street,   Boston,  Mass. 

Printers  by  all  modern  lithographic  and 
photo-mechanical  methods,  including 

HELIOTYPE, 

PHOTOGRAVURE, 

PHOTO-LITHOGRAPHY, 

COLOR  PHOTOGRAPHY, 
HELIOCHROME, 

CHROMO  LITHOGRAPHY, 

AND  MAKERS  OF  FINE  HALF  TONE  AND  RELIEF  PLATES. 


PHOTOGRAPHY 

BEC01VIES  A  PLEASURABLE  CERTAINTY  BY  USING 

CARBUTrS^DRY  PLATES 

TRADE  MARK 

"CELLOLOr  FILMS. 

For  Sale  by  All  Dealers.  Ask  For  and  Take  No  Other. 

Keystone  Dry  Plate  and  Film  Works.  Wayne  Junction,  Phila. 


25o^tou  Camera  €lutJ  —  <iErl)ilJition,  1892. 


55 


Mr.  GEORGE  M.  MORGAN, 
Boston. 

Boston  Camera  Club. 


Lens. 


F>agle  Head,  Manchester.  Mass.  Ross. 

Rap.  Sym. 

Manchester  Coast. 

Kettle  Cove,  Magnolia. 

Rafe's  Chasm,       "  " 

Chebacco  Lake,  Wenham.  " 

Portrait.    Not  retouched.  " 


391 

392 
393 
394 
395 
396 
397 
398 
399 
400 
401 

402  ^'  ^      Portrait  Studies.    Not  retouched, 
c,  D 

403  A,  B,  c 

404 
405 

406   A,  B 


Di-veloper. 
Pyro. 


Plate.  Print. 
Seed.      Albumen  Silver. 


Oxalate. 
Pyro. 

Hydrochinon. 


"         "       Voigtliinder.  " 

Ross.  Pyro. 

Exposure  and  development,  work  of  exhibitor. 


Bromide  Paper. 
Albumen  Paper. 
PI.  Silver  Paper. 


Libby. 


Mr.  victor  ANGERER, 
Vienna,  Austria. 

Lens.  Developer.       Plate.  Print. 

407    Hungarian  Tinker.  Voigtliinder  Euryscope.    Pyro.    His  Own.    Plain  Silver  Print. 

Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  FREDERICK  D.  STACKPOLE,  M.D., 
59  Dudley  Street,  Roxbury. 


Boston  Camera  Club 
408    "Ye  Olden  Time." 


Lens.  Developer.  Plate.  Print. 

Ross.        Hydrochinon.       Seed.       Silver  Process. 
I'^xposure  and  development  by  exhibitor. 


Mr.  CHAS.  H.  CURRIER, 

50  Bromfield  Street. 


Boston  Camera  Club. 


409    A  Interior. 


I^ens.  Developer.       Plate.  Print. 

No.  3.    W.  A.  Pyro.       Libby.  Albumen. 

Euryscope. 


56 


2^o^^tou  Camera  €lutJ  —  oBrlnbition,  1892. 


Lens.  Developer.       Plate.  Print. 

410  A    Little  Deer  Isle,  Me.  Dallmeyer.  Pyro.       Seed.  Albumen. 

c 

D  " 

411  Salting  the  Sheep. 

Exposure  and  development,  work  of  exhibitor. 


Miss  ELIZABETH  MURDOCH, 

62  Clifford  Street,  Roxbury,  Mass. 

Lens.  Developer.  Plate.  J^rint. 

412    Collection  of  Portraits  taken  at 
home  with  light  from  north 

window.  Hawkeye,  1889.       Hoover's.        Harvard.  Omega. 

Exposure,  development,  and  print,  worlc  of  exhibitor. 


Mr.  benjamin  KIMBALL, 
Boston. 

Boston  Camera  Clul'. 

Enlar(;ements. 

413  My  Little  Mystery,  enlarged 

from  8  X  ID  plate;  not  re- 
touched. 

414  Portrait,  enlarged  from  4x5 

plate  ;  not  retouched. 

415  Portrait,  enlarged  from  4x5 

plate  ;  not  retouched. 

416  Surf  at  Magnolia,  Mass.,  en- 

larged from  (i\  X  8.V  plate. 

417  Sand  Dunes  on  Ipswich  Bay. 

418  Pond  at  Magnolia. 

419  A  Wake  on  the  Pacilic. 

Direct  Prints. 

420  A  ]  Portrait   Studies,  not  re- 
n  )  touched. 


421 


^  I  Rossetti    Heads,  not  re- 


touched. 


422  A  }  Rossetti   Heads,  not  re- 
^  )  touched. 

423  A  I  A    Handicraftswoman,  not 
^  i  retouched. 

424  A  }  A  Fair  Violinist,  not  re- 
K )  touched. 

425  A  Study  from  the  Anti- 

gone, not  retouched. 


Lens. 


Developer. 


Plate. 


Print. 


Euryscope,  No.  3.    Hydrochinon.  Seed  26X.  Bromide  Paper. 

Darlot.  Ferrous  Ox.  Eastman.  " 

Euryscope,  No.  3.    Hydrochinon.  Seed  26x.  '" 

a  a  it 

Darlot.  Ferrous  Ox.  Eastman. 

"  Pyro.  Harvard. 


Ross. 


Hydrochinon.  Seed  26x.  Plain  Silver. 


Euryscope,  No.  3.  Pyro. 


57 


Lens.  Developer-.  Plate.  Print. 

426  A  Study  from  the  Anti- 

gone, not  retouched.  Kuryscope,  No.  3.     I'yro.  Seed  26X.    Plain  Silver. 

427  A  ) 

1!  ^  Portraits,  not  retouched.  "  "  "  " 

('  ) 

428  Figure    Study,    not  re- 

touched. "  Hydrocliinon.  "  " 

429  Figure    Study,    not  re- 

touched. Furyscope,  No.  3.  "  " 

430  Figure    Study,    not  re- 

touched. '•  "  "  " 

431  Figure    Study,    not  re- 

touched. '•  "  "  " 

432  Portrait,  not  retouched.  "  "  "  " 
433 

434  '  "  Pyro. 

435  •  ■•  Ross.  Hydrochinon.  "  ■' 

436  "  "  ^^uryscope.  No.  3.  "  "  " 
437 

438 

'^^Q    A '-Portraits. 

I!  \ 

440  A I  p  traits. 

441  A  (  n   ,  Ross. 

S  Portrait.  u  x,  ,,  .. 

B  )  Furyscope,  No.  3.  '  "  " 

442  A  ^  "  "  " 

B  V  Portraits.         "  Ross.  "  "  " 

c  )  Furyscope,  No.  3.  "  "  " 


443  A) 

B  )-  Portraits.         "  Ross.  "  "  " 

c  ) 

444  A  Somes  Sound.  Euryscope,  No.  3.  "  "  " 
B  Magnolia  Willows.  "  Pyro.  "  " 
c    The  Meadow  Pasture.                •'                          "  "  " 

445  The  Happy  Valley,  Southern 

California.  Euryscope,  No.  3.       "  '•  " 

446  The  Willow  Road.  "  Hydrochinon.  "  " 
Enlargements  on  Porcelain  Gla.ss. 

447  Among  the  Asters.  Euryscope,  No.  3.     Pyro.  Harvard.    Carbutt's  Opals. 

448  Lobster  Lane,  Magnolia.  "  "  Seed  26x.  " 

449  Left-handed  Violinist,  not  re- 

touched. Ross.  Hydrochinon.        "  '• 

450  Portrait,  not  retouched.  "  "  "  '■ 

i<  <<  ii  i<  li  -.(. 

452 

All  exposures  and  developments  and  prints  of  Nos.  420  A  and  I!,  424  a  and  1:,  427  c,  42S,  439  A,  444  a,  b,  and  c,  447, 
448,  449,  450,  451,  and  452,  work  of  exhibitor. 


58  25o.sfton  Camera  Cliit)  —  oErljitiition,  1S92. 


Mr.  WILLIAM  H.  RAU, 

1324  Chestnut  Street,  Philadelphia. 

Photographic  Society  of  Philadelphia. 


Lens.  Dt'velopcr. 

Plate. 

Print. 

453 

Horseshoe  Curve,  Pennsylvania  R.R.    Ross  Pyro-Potash. 

Carbutt  Fil 

n.    Contact  Bro. 

Portable. 

454 

Packsaddle, 

455 

On  the  Blue  Juniata,        "           "            "  •' 

456 

On  the  Conemaugh,          "  '' 

Carbutt  Ortho. 

457 

Mt.  Johnson  Island  in  the  Susquehanna.  " 

458 

Red  Rock  Curve,  Sang  Hollow,  Penn.        "  •' 

E.xposure,  development,  and  print,  work  of  exhibitor. 

Mr. 

CORNELIUS  CHENERY, 

194  Boylston  Street. 

Boston  Camera  Club. 

»    Lens.  Developer. 

Plate. 

Print. 

459 

Captain.                                          Darlot.  Pyro. 

Cramer  C. 

Bromide  Enlara:. 

460 

Jersey  Lily.                                         "  " 

Seed  26X. 

u 

461 

A  Pair  of  Jerseys.                               "  " 

u 

462 

On  the  Sands.                                      "  " 

Cramer  C. 

u 

463 

Tremont  Street  Mall.  " 

u 

'iD't 

Concord  Bridge.                                W.  A.  Euryscope.  " 

Seed  23. 

465 

Chocorua. 

Cramer  B. 

466 

A  Cape  Cod  Breeze.                         Darlot.  " 

Cramer  C. 

it 

467 

What  is  It  ? 

u 

468 

Stepping  Stones.                               W.  A.  Euryscope.  " 

Cramer  B. 

469 

"  Nature's  own  Exceeding  Peace."                   "  " 

u 

Plain  Paper. 

470 

Anticipation.                                                 "  " 

Harvard. 

Bromide  Enlarg. 

471 

The  First  Step. 

Exposures,  developments,  and  prints,  excepting  No.  469,  work  of  exhibitor. 

Miss 

C.  E.  SEARS, 

132  Beacon  Street. 

Boston  Camera  Club. 

Lens.  Developer. 

Plate. 

Print. 

472 

A     Summer  Sketches.                 Euryscope.   Allen  &  Rowell. 

Allen  &  Rowell.  Aristotype. 

B 
C 
D 
E 
F 
G 
H 

Exposures,  developments,  and  prints,  work  of  exhibitor. 


2Bo^ton  Camera  ^\uh  —  ^lExljibition,  1892. 


59 


Mk.  w.  o.  witherell, 

15  Warren  Place,  Roxbiiry, 

Boston  Camera  Club. 


Lens.  De-<'eloper.       Plate  Pritit. 

Beck.  Soda-Pyro.    Seed.    Albumen  Silver. 

Wray  Single. 


473  A  Meadow,  Marshfield. 
I!  Brook, 

c  Bridge,  Grand  Falls,  N.B. 

D  Meadow  Brook.  Beck. 

E  Road,  West  Roxbury.  Wray  Single. 

F  Spring  Street  Bridge,  West  Roxbury.  " 

G  Fishing  Schooner,  Massachusetts  Bay.  Darlot  W.  A. 

H  Poling  Rapids. 

474  Duxbury  Beach  in  October.  Darlot. 

475  St.  John's  River,  near  Grand  Falls,  N.B.  Wray  Single. 

E.xposures,  developments,  and  prints  of  474  and  475,  work  of  exhibitor 


Cramer. 

Seed.     Bromide  Knlarg. 


Mr.  EDW.  H.  graves, 

314  Fifth  Avenue,  New  Vork. 

Ni~v  York  Camera  Club. 

Lens.        Developer.  Plate.  Print. 

476  October.    Platinum  Print.  Ross.    Pyro  Soda.    Newcomb  &  Owen.    Platinum  Print. 

477  Under  the  Willow.    Platinum  Print.     "  "  "  " 

478  My  Jack. 

479  Along  the  Canal  "  "        "  "  " 

480  A  Corner  of  Wales. 

Exposures,  developments,  and  prints,  work  of  exhibitor. 

Mr.  JOHN  H.  THURSTON, 
50  Bromfield  Street. 

Boston  Camera  Club. 


481 


A 
R 
C 
D 
E 
F 
G 
H 

482  A 

B 
C 
D 
E 

F 
G 


Town  Hall  at  North  Easton. 
Mount  Desert  Kodaks. 


Lens.  Developer.  Plate.  Print. 

No.  4,  W.  A.  Eury.    Pyro.      Eagle.  Albumen. 


Kodak. 


Hydro.  Eastman  Film. 


"  Harvard  Annex,"  Cambridge.    No.  5,  Clark  (4X  5). 

I  A.,  Eury. 


Libby. 

Seed. 
Cramer. 

Interior  of  Trinity  Church,  Boston.  No.  4,  W.  A.  Eury.  "  Allen  &:  Rowell. 
Mount  Desert  Kodaks.  Kodak.  Hydro.   Eastman  Film. 

II  u  (1  a  li 

Exposures,  developments,  and  prints  Nos.  481  A  and  482  e,  work  of  exhibitor. 


Public  Library, 


No.  3,  Darlot  W.  A. 

No.  2,  Darlot  R.  H.  Pyro. 


60 


2^^o^ton  Camera  Cub  —  <iEj:l)itJition,  1892. 


Miss  E.  L.  COLEMAN, 

704  Tremoiit  Street,  Boston. 


483 
484 
485 
486 
487 
488 
489 
490 


491 


492 


Lens. 
Darlot.  No.  2. 


Dtvelope 
Pyro. 


Alle 


Plate. 

n  &  Rowel 


Print. 
Bromide  Enlarg. 


Sheep. 

Ploughman.  "  " 

Watering  the  Cow. 
Marsh  and  Haystacks. 
Portrait.  Ross. 
Window-seat  Portrait.  " 
Head  (over  ninety  years  old). 
A    The  Three  Friends.  " 
B    Spring-time.  Darlot. 
c    Lady  and  Dog.  Ross. 
D    The  Antiquary.  Darlot. 
E    A  Farm  near  Boston.  " 
F    Reading  Fairy  Tales.  '• 
G  Philip. 

H    An  Out-of-door  Portrait.  Ross. 
I    A  Child  of  Quebec.  Darlot. 
A    Old  Burying  Ground,  Deerfield. 
B    The  George  Fuller  Farm,  " 
c    A  Foggy  Day  on  York  River.  " 
.D    Child  at  the  Spring.  '•  " 

E    By  the  Wood  Path. 
F    Swimming  Geese.  " 
G    Deerfield  Street.     (Bishop  Will- 
iams's birthplace  in  foreground.)    '■  " 
H    Willows  at  York. 

A    Canadian  Milkwoman.  "  " 

B    Five  O'clock  Tea.  "  " 

c    Woman  Washing.  •• 
D    Ashore  in  Foul  Weather.       '  '"  " 

E  The  Old  Way  of  Frying.  " 
F    Going  to  the  Mill.  '■  " 

G    Two  Children.  '' 
H    Man  with  Bear. 

All  exposures,  development  of  Nos.  484,  487,  488,  489,  490,  is,  e,  g,  491  d,  and  prints  of  483,  484,  485,  486,  487,  488,  490, 

D,  and  491,  D  and  K,  work  of  exhibitor. 


Plain  Silver. 


Bromide. 
Bromide  Enlarg. 
Plain  SiKer. 
Bromide  Enlarg. 
Plain  Silver. 
Bromide  Enlarg. 
Plain  Silver. 


Bromide. 
Plain  Silver. 
Bromide  Enlarg. 

Plain  Silver. 


Mr.  T.  MANSELL, 

Southampton,  England. 

Society  Amateur  Photographers  of  Ne7v  York. 

Print. 

493    A    Loch  Katrine,  Ellen's  Isle,  and  Ben  Venue. 
B    Dor  Vemnis  Bridge,  Haddon  Hall, 
c    Loch  Lomond  from  above  Falls  of  Inversnaid. 
D    Wave  Study. 

E    Bonnie  Milk-maid.  Carbon. 
F    Wave  Study. 
G    Sheep  Study. 
H    Waters  Meet,  Lynmouth. 
I    The  Mill,  Guy's  Cliff,  Warwick. 


25o.ston  Camera        —  €x1)ilJition,  1S92. 


61 


494    J  Cat's  Cradle. 

K  Stybarrow  Crag,  Illswater. 

L  Cat's  Cradle. 

M  Henry  VI F.  Chapel,  Westminster  Abbey. 

N  Banqueting  Hall,  Tower  of  London, 

o  Choir  Screen,  Westminster  Abbey. 


Mu.  EDWIN  H.  LINCOLN, 
Cambridgeport,  Mass. 

Lens.  Develop,)-.        Plate.  Print. 

495  Interior  Views.    New  York,  New- 

port, and  Lenox.  W.  A.  Dallmeyer.     Eikonogen.    Seed.    Albumen  Silver. 

496  Roses  and  Foliage  Studies.  Ross  W.  A.  Sym.  "  "  " 

and  Alvan  G. 
Clark's  Sons. 
Exposures,  dovelopnieuts,  and  prints,  work  of  exhibitor. 


Mr.  GEO.  J.  STENGEL, 

Yonkers,  New  York. 

yi  nkers  Photographic  Club. 

497    Still  Life.    (A  Study.) 


498 
499 
500 


(Fantasy.) 
(Spring  Blossoms.) 
(An  Artist's  Delight. 


Lens.  Developer.  Plate.  Print. 

Platyscope  (C).  Pyro-Soda.    Eagle  Printed  on 

Ortho.  Plates.   Omega  Paper. 


Exposures,  developments,  and  prints,  work  of  exhibitor. 


Lens. 
Dallmeyer. 
Ross. 


Developer. 
Pyro-Am. 


Plate. 
Cramer. 


Mr.  JOHN  E.  DUMONT, 

64  Trust  Building,  Rochester. 

Rochester  Caviera  Club. 

501  Listening  to  the  Birds. 

502  The  Connoisseur. 

503  To-morrow  will  be  Friday. 

504  An  Interruption. 

505  The  First  Lesson. 

506  "  He  Cometh  not,  she  said." 

507  A  Portrait. 

508  At  the  Dance. 

509  The  Prescription. 

Exposures,  developments,  and  prints  (except  501),  the  first  work  of  exhibitor. 


Print. 

Photogravure. 
Carbon. 


Platinum. 


62 


25o^ton  Camera  Club  —  aSrJ)itJition,  IS92. 


Mr.  ROBERT  E.  M.  BAIN, 

515  Pine  Street,  St.  Louis,  Mo. 

510    A    Gen.  Grant's  Cabin,  St.  Louis  County. 

(Note  the  isochromatic  effect  of  the  sky 
with  the  mortar  in  the  house  walls). 

1!  Big  River,  Mo. 

c  Early  Morning  in  Lafayette  Park,  St.  Louis. 

\)  Flight  of  Gulls  at  Sundown,  Irish  Sea. 

E  West  Fountain,  Lafayette  Park,  St.  Louis. 

F  Winter  Scene,  "         "  " 

G  Mustering  the  Crew,  S.S.  "Germanic,"  at  Sea. 

H  Meramec  River  at  Glencoe,  Mo. 

I  Far  Astern,  S.S.  "  Germanic,"  4  Days  at  Sea. 

J  "  Come  Aboard,  Miss." 

K  In  Mischief. 

L  A  Lesson  in  Photography. 

M  The  Children's  Party. 

N  An  Interesting  Story, 

o  An  Amateur  Studio, 

p  His  First  Pants. 

n  The  Morning  Bath.    Magnesium  Light. 

R  Wash  Day. 


Lens. 

Steinheil,  No.  6. 


Steinheil,  No.  6. 
Voigtliinder. 


Steinheil,  No.  6. 
Voigtliinder. 
Steinheil,  No.  6. 
Gray's  W.  A. 
Steinheil. 

Exposures,  developments,  and  prints,  work  of  exhibitor. 


Dtve/oper. 

Pyro. 


Plate. 
Isochromatic 
Cramer. 


Cramer. 


Pyro. 


Cramer. 


Mr.  JOHN  C.  HOLMAN, 

134  Richmond  Street. 

Boston  Camera  Club. 

Lens. 

511  Bluehill  Mt.,  Maine.  Blair. 

512  Bluehill  Bay,  " 

513  Yacht  "  Libra." 

514  Kilkenny  Mt.,  N.H. 

515  Logging  Road  in  Winter. 

Exposures  and  devel 


Developer.  Plate.  Print. 

Eikonogen.  A.  «S:  R.  Ivory  Film.  Solar  Enlarg. 

U  11  II 

Hydrochinon.  '■ 


ipnients,  work  of  exhibitor. 


Mr.  EDWARD  R.  ANDREWS, 

119  Beacon  Street,  Boston. 

Boston  Camera  Club. 

516  Mastiffs,  after  a  Hot  Run. 
517 


Lens. 

Ross. 


Developer.         Plate.  Print. 
Hydroquinon.    A.  &  R.  Bromide 
Enlarg. 
Albumen. 


I 

23o?ton  Camera  €luft  —  <iEvl)itiition,  1892. 


63 


518 

519 
520 

521 
522 

523 


524 
525 


Lens.  Divelopcr. 
Chebacco  Lake,  Beverly,  Mass.     Voigtlander  \V.  A.  Pyro. 


Bathers. 


Beck. 


A  Diver.  " 
A  The  Willow  Shore,  Nahant,  Mass.  " 
B    Little  Nahant. 

c    Irishtown,  Nahant.  " 
D    Return  from  the  Race,  Marble- 
head.  Ross. 
Mill  River,  Fox  Island  Thorough- 
fare, Me.  " 
Old    Willow   Tree,  Brookline, 

Mass.  (irubb. 


Hydroquinon. 


Pyro. 

Exposure.s  and  developments,  work  of  exhibitor. 


Plate. 
Seed. 


Print. 
Bromide 
Enlarg. 
Albumen. 
Bromide 
Enlarg. 
Albumen. 
Bromide 
Enlarg. 
Plain 
Salted. 


A.  &  R. 


Seed. 


Mr.  W.  T.  DANA, 

71  Kilby  Street,  Boston. 
Boston  Camera  Club. 

Lens.  DcvL-loper.  Plate.  Print. 

526    Riverside,  Massachusetts.  Single  Darlot.       Pyro.       Eastman  Film.       Plain  Silver. 

"  "  "  "  "  " 

528  Clifton, 

529  "Sea  Dreams."    '  "  "  "  " 

530  Grandfather's  Spy  Glass.  "  "  "  " 

Exposures  and  developments,  work  of  exhibitor. 


Mr.  H.  a.  LATIMER, 

Boston  Camera  Club. 

531  The  Old  Mill  Pond,  Deerfield,  Mass. 

532  The  Antiquarian  of  Deerfield,  Mass., 

in  his  favorite  corner. 

533  A  Florida  Road. 

534  A  Close  Race. 

535  Yachting  Views. 

536  In  Ballast. 

537  Surf  at  Marblehead,  Mass. 

538  "    "  " 

539  Early  Autumn,  Charles  River. 


Lens.  Developer.       Plate.  Print. 

Ross  Port.  Sym.  Pyro-Soda.  Seed.         Plain  Silver. 


Ball.  Sing. 
Eury. 

Darlot  Sing. 


Eury. 


Dall.  Sing. 


Plain  Silver. 
Alb.  Silver. 
Cramer.   Alb.  Silver 
and  Aristo. 
Plain  Silver. 

Seed. 


64 


^o^itou  Camera  dub  —  aJrljibition, 


540 
541 
542 
543 
544 
545 
546 
547 
548 
549 
550 
551 
552 
553 


Portrait. 


View  on  Indian  River,  Florida. 

Tiie  River  Path,  Rockledge,  P'lorida. 

River  View,  Campo  Florido,  Cuba. 

An  Old  Southern  Home. 

Cascade. —  Natural  Bridge,  Va. 

South  Fork  Falls,  Yosemite  Valley,  Cal. 

The  River  Path,  Rockledge,  Fla. 

Old  Homestead  of  Geo.  Fuller,  the  Arlisi. 


LiHS. 

Eury. 


Plate. 
Seed. 


Ross  Port.  Sym. 


Eury. 

Ross  Port.  Svni. 


P, 
Plain 


Alb 
Plain 


int. 

Silver. 


Silver. 
Silver. 


Bromidk  Enlargements. 

554  Tropical  View  on  Indian  River,  Fla.  Eastman 

Bromide 
Paper. 

555  Sunset  at  Ware  River,  Nantasket,  Mass.  " 

556  Amusing  the  Baby. 

557  Surf,  Marblehead,  Mass. 

558  Portrait. 


Prints  from  Enlarged  Negatives. 


559 

/ 

City  Gates,  St.  Augusiine 

560 

2 

Old  Wreck.  Indian  River,  Fla. 

561 

3 

Weston  Bridge  and  River  Path. 

562 

4 

.\  Cuban  Hut,  Campo  Florido,  Cuba. 

563 

5 

Old  Witches'  House,  Deerfield,  Mass. 

564 

6 

Dead  Cypress,  Monterey,  Cal.,  said  to  have  died  from  a  Cramp 

565 

7 

"  Hypatia."  —  Cruising  Race. 

Exposures,  developments,  and  prints,  W(jrk  of  exhibitor. 


Mr.  FRANCIS  W.  MORANDI, 
Maiden,  Mass. 

Leiis.                    Dcvclof'er.  I'Uite.  Print. 

566  Waterville  Road  and  Mad  River,  N.H.            Steinheil.        Pyro-Soda.  Stanley.  Silver 

Enlarg. 

567  Franconia  Meadow  and  Mt.  Kinsman,  N.H.     Ross.                   "  Eagle.  " 

Exposure  and  development,  work  of  exhibitor. 


I 

23o8ton  Camera  €luti  —  <ex1)ibition,  1S92. 


65 


Mr.  H.  a.  NORTON, 

45  Oliver  Street,  Boston. 
Mystic  Club,  Afci/ford. 


568 


(^uiatchouan  Falls. 

Old  Custom  Hou.se,  Monterey,  Cal. 

Log  Camp,  Canada. 

The  Bridge. 

Portrait. 


Lens. 
Hawke)  e. 


Developer. 
Pyro. 


Exposure  development,  and  prints  work  ol  e.\hil)itor. 


Plate. 
Stanley. 


Print. 
Silver. 


M[<.  GKORGK 
Drexe 


569 
570 
571 
572 
573 
574 
575 
576 
577 


H.  WOOD, 

Building,  Philadelphia. 

PhiUnLlphia  J'holographic  Society. 


Nothing  Merrv  about  Christmas  with  us. 


Lens. 
Ross. 

Dallmeyer. 


Developer. 
Pyro. 


Plate. 
Cramer. 


Print. 

Silver. 


By  the  Sea. 
Gloucester  Harbor,  Mass. 
Palmistry. 
In  the  Woods. 
Symphony  in  While. 
Among  the  Blackberry  Blossoms. 
Watching  Grandma  smoke. 
F"isherman's  Bride. 

Exposures,  tlcvelopmcnts,  and  prints,  work  of  exhibitor. 


Mr.  J.  H.  HARVEY, 

East  Melbourne,  Victoria,  Australia. 

Amateur  Photographic  Association  of  Victoria. 

Print. 

578    A    .A  Victoria  State  School,  Prahran,  near  3Ielbourne.  Gelatine  Bromide. 

B  The  Treasury  Building,  Melbourne.  " 
c  A  Provincial  Australian  Railway  Station,  "Albury,"  New  South  Wales.  " 
u  A  Provincial  Town  Hall,  "  Bendigo."  '■ 
E    National  Bank  of  Australia,  Melbourne.  " 

All  work  of  exhibitor. 


Mrs.  SARAH  C.  SEARS, 

12  Arlington  Street,  Boston. 

579    A  Portrait. 

B 

c 

D  " 
E 

F 


Lens.  Developer.  Plate.  Print. 

Voigtlander.    Hydrochinon.    Seed  26.  Carbon. 


Exposure  and  development,  work  of  exhibitor. 


66 


25o^6fton  OTanicra  €hiti  —  ^iBjcIjibition,  1892. 


Mr.  JOSEPH  CHAMBERLAIN, 
Tunbridge  Wells,  England. 

Tunbridge  Wells  Amateur  Photographic  Association. 

Lens.  JJci'e/oper.  Plate.  Print. 

580    A    In  a  Cafe,  Cairo.  Optimus  R.  R.    Edwards.    Edwards'        Matt  Surface 

Isochromatic.  Paper  toned 

B    In  a  Bazaar,  Cairo.  '•  with  Chloro- 

c       "  "  "  platinite  of 

D    Street  Arabs,  Result  of  Education.  "  Potassium. 

E    The  Merry  Little  Drummers. 
F    Hiring  a  Donkey  for  the  Pyramids. 

Exposure,  development,  and  print,  work  of  exhibitor. 


Mr.  LOUIS  MELDON, 

31  Ailsbury  Road,  Dublin. 


Lens.  Developer.       Plate.  Print. 

Ross  R.  Sym.  Pyro-Am.    Paget  Ilford 


581    A  Dover. 

B    Horse  Race,  Leopardstown  Park, 
Dublin. 

c    Preliminary  Canter,  Leopardstown 
Park,  Dublin. 

D    "  Iverna,"  Cutter,  Kingstown  Re- 
gatta. Suter  Single,  i6  in.  ' 

Exposures,  developments,  and  prints,  work  of  exhibitor. 


xxxxx  p.  o.  p. 

Gelatine. 
Chloride. 


Mr.  harry  SYMONDS, 

39  High  Street,  Portsmouth,  England. 

Southsca  Photographic  Society. 


582    Yacht  Racing  Scene. 


Lens  Developer.  Plate.  Print. 

Ross  R.  S.,  18  in.  Focus.  Pyro- Ammonia.  Barnes.  Silver. 
All  work  of  exhibitor. 


Miss  EMMA  J.  FITZ, 

253  Commonwealth  Avenue,  Boston. 

Letts 

583    A  Hard  Lesson. 

Old  Gary  Mansion,  Chelsea. 
Rindge  Terrace,  Marblehead. 
A  Piazza  Breakfast. 
A  Cheerful  Giver. 
A  Little  Sea-urchin. 
"  I  Don't  Want  to  Look  Pleasant ! 
-  "  What  Next  t  " 
"  A  Penny  for  your  Thoughts  !  " 
A  New  England  Fireside. 
A  Calm  Morning  at  the  Seaside. 

Exposures  and  development,  work  of  exhibitor 


Developer.  Plate.  Print. 

Euryscope.    Hydrochinon.    6|  x  8?,,  Seed  26.    Brom.  Enlarg. 

5x8,  Seed  26.      Silver  Print. 


4x5,  Eagle. 
Film. 

u 

4x5,  Eagle. 


Brom. 


Enlarg. 


25o^ton  Camera  ^iTlut)  —  €rl)it)ition,  1892. 


67 


Mr.  C.  court  cole. 

Folly  Bridge,  Oxford,  England. 

Vice-President  Oxford  Photographic  Society. 

Lens.  Dcnelopcr. 

584  A    Christ  Church  Cathedral,  Oxford,  looking    Dall.  Pyro-Am. 

east,  showing  Tudor  Vaulting.  and  Soda, 

li    Reredos,  Christ  Church  Cathedral, 
c    Christ  Church  Cathedral,  looking  west,  Ross. 

showing     Saxon     Stone-work  over 

Pillars. 

n    Latin  Chapel,  Christ  Church  Cathedral,  Beck, 
showing  Watching  Chamber,  Fifteenth 
Century. 

E    St.  Frideswide's  Window  in  Chancel  of  Dall. 
Latin  Chapel.    Window  early  work  of 
Burne-Jones. 

585  A  f  Windows  in  Christ  Church  Cathedral.  De-    Ross.  •' 

'         signed   by   Burne- Jones,  painted  by 
P  1^  Morris. 

E    St.  George's  Window  in  Christ  Church       "  '■ 
Cathedral.    Designed  and  painted  by 
Clayton  cV  Bell. 

586  A    View  in  All  Souls'  Chapel,  Oxford.  Dall. 
B       '•        New  College  "  " 

c       "    "  Queen's  Library.  " 

Kxposure,  developnienl,  and  prints,  work  of  exhibitoi 


Mr.  CHARLES  HOWELL  MILLER, 

3400  North  19th  Street,  Philadelphia,  Pa. 

Photographic  Society  of  Philadclf^hia. 


Lens.  Developer. 

Plate. 

Print. 

587 

A  Suggestion  ot  Mince  Pies. 

Beck  R.  R.  Eiko-Hydro. 

Carbutt's 
Ortho.  29. 

Platinotype. 

588 

A  Daisy  Pasture. 

"  Pyro-Soda. 

Carbutt's 
Eclipse  27. 

Platinotype 
Sepia. 

589 

A  Game  of  Marbles. 

'               Eiko- Hydro. 

Carbutt's 
Ortho.  27. 

IMatinotype. 

590 

Portraits  of  Two  Girls.  No 
retouching. 

Pyro-Soda. 

Carbutt's 
Eclipse  27. 

591 

Uncle  Jerrie.    No  retouching. 

Eiko-Hydro. 

Carbutt's 
Ortho.  27. 

Exposure,  development,  and  print,  work  of  exhibitor. 


lUate.  Print. 

Thomas.  Blanchard's 
Platinum. 

Marion.     Ilford  Printing 
out  Process. 

Blanchard 
Process. 

Paget.  " 

Edwards  Ilford  Printing 

and  out  Process. 
Paget. 

Edwards.  " 


Thomas.  Blanchard. 
Paget. 

Marion.  " 


68 


2Bo^fton  Camera  Club  —  ^xijibition,  1892. 


Mr.  ARTHUR  R.  DRESSER, 

Springfield,  Bexley  Heath,  Kent. 

Camera  Club  Photographic  Society  of  Great  Britain. 

Amateur  Society,  West  Kent,  Photographic  Association. 

Lens.  Developer.  Plate. 

592  /    The  Caskets.    Evening.       4i  W.  A.    Eikonogen  and    Eastman  Films  and 

Quinone.  Edwards  Plates. 

593  2    Ploughing.  (Gold  Medal 

Picture.)  •'  "  " 

594  3    Steamer    "Nelson,"  at 

Hastings.  "  '•  '• 

595  4    Towing     down  the 

Thames.  "  "  " 

596  5    A  Kentish  Lane. 

597  6    A  Rough  Day.    (Boy  in 

Tub.) 

Exposures,  developments,  and  prints,  work  of  exhibitor. 


Mr.  F.  R.  PINEIRO, 

164  Faubourg  St.  Honore,  Paris,  France. 

Lens.  Developer.  Plate. 

598  A    Judith.                           Dallmeyer's.    Hydroquinon.  Lumiere. 
B    Salome  and  Herodias.  "  "  " 

c    Joan  of  Arc.  "  "  " 

D    Judith.  "  "  " 

E    Allegory  of  the  Moon.  '".  "  " 

F    Joan  of  Arc.  " 

G    Oriental  Scene.  "  "  " 

H    Judith.  "  "  " 

I    Mascotte.  "  ''  " 

599  A    Fantasy.  "  " 

B    Picture.  "  "  " 

D    Mascotte.  "  "  " 

600  A  Salome  and  Herodias.  "  "  " 
B  Charlotte  Corday.  "  "  " 
c    Flora,  "  " 

D    Allegory.    (Union  of  the 

Nations.)  "  "  " 

E    Beyere  Wateau.  "  "  " 

F    Oriental  Scene.  "  "  " 

601  A,  B  &  c    Fantasy.  "  "  " 

602  A,  B  &  c  " 

603  A,  B  &  c  " 

Exposures,  developments,  and  prints,  work  of  exhibitor. 


SSojStoii  'Canictii  Otiiifi  —  dErfjibitioii,  18^2. 


69 


Mr.  martin  J.  HARDING, 

Lexden  Gardens,  Shrewsbury,  England. 

President  Sliropshire  Camera  Club. 

Lens.  Developer. 
604    A    Wayside  Studies  with  a  Pocket  Camera.    French  R.  R.  Pyro-Amm. 


n    Pocl<et  Camera  Landscapes,  near  Shrews- 
bury. 


c    Storm    Effects   on   the   North  Wales 
Coast.    Hand  Camera  Shots. 


605  A    Sunshine  and  Shadow.   (Near  Dolgelly.)  Lancaster's 

Rectigraph. 

I!  The  Rivulet.  " 
c    A  Shropshire  Valley.  " 

D  A  Shropshire  Glen.  "  ' 

606  A  Spring.  "  ' 
B  Llandudus  Sands.  (Evening.)  "  ' 
c  Glan  Eden.  (Near  Dolgelly.)  "  ' 
D  Near  Bettws-y-coed,  North  Wales.  "  ' 

Exposures,  development,  and  print,  work  of  exhibitor 


Plate.  Print. 
Ilford     Matt  Silver 

Ordey.  Paper  fixed 
without  ton- 
ing. 

Gel.Chlo- 
ride  Matt. 

Matt  Silver 
Paper  fixed 
without  ton- 
ing. 

"  Platinotype. 


Gel.-Chio- 
ride  Matt. 


Platinotype. 


Mr.  GEORGE  A.  NELSON, 

8i  Appleton  Street,  Lowell,  Mass. 

7V/1'  Lowell  Camera  Club. 

Lens. 

607  The  Village  Cobbler.  No.  2  Voigt.  Euryscope. 

608  Studying  the  Picture.  " 

609  A  Mountain  Brook.  " 

610  Solitude. 

61 1  Arguing  Politics.  " 

Exposure  and  development,  work  of  exhibitor. 


Developer. 

Pyro-Soda. 


Plate. 

Seed. 
Carbutt. 


Seed. 


Mr.  HORACE  B.  PEARSON, 
424  Marlborough  Street. 

Boston  Camera  Club. 

612    Our  Old  Home. 

In  the  Blue  Grass  Country. 


Lens. 
Voigtlander. 

All  work  of  exhibitor. 


Developer.  Plate. 
Pyro-Soda.  Carbutt. 


Print. 

Bromide  En'l. 


TO 


25o^fton  Camera  €lutJ  —  <i£rljitiition,  IS92. 


Mr.  JOHN  G.  BULLOCK, 

528  Arcb  Street,  Philadelphia,  Pa. 

Photographic  Society  of  Philadelphia. 

Lens.  Developer.  Plate.  Print. 

613  Eastward,  as  far  as  Eye  can  see.           Ross.  Pyro-Soda.  Seed.  Platinum. 

614  The  Guernsey  Herd.                             "  "  "  " 

615  Low  Tide  at  Turbot's  Cove.                   "  ' 

616  FahrWohl.  Silver  toned 

with  Platinum. 

617  Old  Drawbridge,  Kennebunkport.           "  "  " 

618  The  Shipyard.    Evening.                      ••  "  '•  " 

Exposure  and  development,  work  of  exhibitor. 


Mr.  S.  FRANCIS  CLARKE,  L.W.S., 
8  Upgate,  Louth,  England. 

Louth  and  District  Photographic  Society  and  Lincoln  Photographic  Society. 

Lens.  Dti'eloper.       Plate.  Print. 

Seven  Ages  of  Man. 

619  "The  Infant."  Swift's  Paragon.    Pyro-Am.    Castle.  Simplex 

Paper. 

620  "  The    School-boy   unwillingly  to 

School." 

621  "  The  Lover,  sighing  like  Furnace." 

622  "  The  Soldier,  Jealous  in  Honor, 

Sudden  and  Quick  in  Quarrel."  " 

623  "The  Justice,  in  Fair,  round  Belly, 

with  Good  Capon  lined."  "  " 

624  "  Lean  and  Slippered  Pantaloon, 

with  Spectacles  on  Nose."  ■' 

625  "  Last  scene  of  all,  that  ends  this 

strange,  eventful  history,  is  Sec- 
ond Childishness."  " 

(The  entire  set  of  pictures  were  taken  in  a  small  back  yard,  surrounded  by  high  walls,  etc.) 

626  A    The  Wrestlers.    (Instantaneous.)        Swift's  Paragon.    Pyro-Am.    Ilford,  Simplex 

White  Label.  Paper. 

1^  11  U  ((  It  II  It  tl 

^         .t  (t  it  ti  it  (t  tt 

Y)  "  "  "  "  "  " 

£         ..  u  It  tt  It  It  tt 


Exposures,  development,  and  prints,  work  of  exhibitor. 


25o^ton  Camera  Club  —  <iErl)iliitiou,  1892. 


Mrs.  S.  F.  CLARKE, 

8  Upgate,  Louth,  England. 

Louth  and  District  Photographic  Society. 

Lens.  Developer.       Plate.  Print. 

627  The  Village  Blacksmith.  Swift's  Rapid  Paragon.    Pyro-Am.    Castle.    Simplex  Paper. 

628  A  Greek  Study. 

629  Curiosity. 

630  After  Mass. 

Exposures,  developments,  and  prints,  work  of  exhiliitor. 


Mr.  THOMAS  MANSELL, 

Avondale,  Westwood  Park,  Southampton,  England. 

Amateur  Photographers  of  New  York. 

Lens. 

631    A    "Cat's  Cradle."  Dall.  R.  R. 


A 
B 
C 
D 

E 

F 
G 
H 
I 

J 
K 
L 
M 


Wave  Study. 

Henry    VIL    Chapel,  Westminster 
Abbey. 

White  Tower,  Tower  of  London. 
Choir  Screen,  Westminster  Abbey. 
Banqueting  Hall,  Tower  of  London. 
Dorothy  Vernon's   Bridge,  Haddon 
Hall. 

Water's  Meet,  Lynmouth. 
Stybarrow  Crag,  UUswater. 
Stock  Chyll  Forge,  Ambleside. 
Loch  Katrine,  Ellen's  Isle,  and  Ben 
Venue. 

Loch    Lomond,    from  above  Falls 

of  Inversnaid. 
The  Mill,  Guy's  ClifT,  Warwick. 
Sheep  Study. 
Cattle  Study. 
Bonnie  Milk-maid. 


Developer. 

Pyro-Am. 


Plate. 
Ilford. 


Print. 

Albumen  Silver. 


Carbon. 


Exposures,  developments,  and  prints,  work  of  exhibitor. 


72 


^Boston  ^iTamcra  €hit)  —  aBx*|)i£>itiou,  1892. 


Mr.  I.  W.  EVANS, 

52  Darlington  Street.  WoI\'erhanipton. 

Honorable  Secretary  Wolverliantpton  PJwtographic  Society. 

Developer.  Ptate.  Print. 

632  A  Only  a  Street  Arab.  Pyro-Am.    Matchless.  Matt  Surface  Albumen. 
V.  A  Bit  of  News, 
c  A  Street  Arab. 

633  A  Tettenhall  Wood,  Wolverhampton. 
B  Henwood  Lane,  " 
c  Tettenhall  Wood,  " 

Exposures,  developiiient,  .iiid  prints,  work  of  exhibitor. 


Edwards  Isochro.  Aristotype. 


Mr.  S.  TUDOR  STRANG, 

1728  Willington  Street,  Philadelphia. 

Colttmbia  Scenogra/^hic  Association. 

Lens.  Developer.        Ptate.  Print. 

634  Yacht  "Minerva"  on  the  Delaware,  Bausch  &  Loinb    Pyro.     Seed  26x.    Omega  Print. 

opposite  Philadelphia.  Universal. 

All  work  of  exhiliitnr. 

Mr.  J.  S.  MASON, 

196  Marlboro  Street. 

Bostoji  Camera  Club. 

Developer.  Plate.  Print. 

635  Portrait.  Pyro  Am.  Cramer.  Plain. 
636 

Exposure  and  development,  work  of  exhibitor. 


Mr.  WM.  gibbons  PRESTON, 

204  Dartmouth  Street,  Boston. 


Lens. 

Developer. 

Plate. 

A 

"Aunt"  Keziah  Randall,  and  Great-grand-daughter. 
108  Years  Old. 

Ross. 

Eiko. 

Film. 

B 

"  Prince." 

Seed. 

C 

House  in  Auburndale. 

D 

"Aunt  Keziah's  "  House,  Mattapoisett. 

i. 

E 

A  Dewy  Foreground. 

F 

An  Old  Smithy.  Hermitage. 

No.  5. 

Kodak. 

G 

Court-house  Tower,  Savannah. 

U 

H 

Portrait. 

i  i 

A 

A  Shady  Lane. 

Ross. 

Eiko. 

B 

"  Oft  in  the  Stiljy  Night." 

C 

Hydrangeas. 

D 

The  Young  Gardener. 

E 

Discussing  the  Account. 

Beck. 

Eiko-Hydro. 

F 

The  Surgeon. 

Ortho. 

G 

Gourd  Blossoms. 

H 

Spider-web. 

it 

I 

Winter  Scene. 

No.  5. 

Kodak. 

Seed. 

25ositon  Camera  Cliit)  —  oSrljitiition,  1S92. 


73 


Mr.  ALFRED  CLEMENTS, 

39  South  loth  Street,  Philadelphia. 

Philadelphia  Society. 


639  Cocoanut  Trees  at  Lake  Worth, 

Florida. 

640  Tropical  Scene,  Lake  Worth, 

Florida. 

641  Gypsy  and  Child,  Normandy. 

642  On  a  Normandy  Farm. 

643  Normandy  Cottages. 

644  An  English  Roadway. 


Lens.  Developer.  Plnte.  Print. 

Wray  13  in.    Pyro-Soda.    Carbutt  Ortho.  23.  Platinotype. 


Grubb  8  in. 


All  work  of  exhibitor. 


Abney. 


Carbutt  Ortho. 


MEMBERS  MYSTIC  CAMERA  CLUB, 
Medford,  Mass. 

Lens.  Developer.  Plate. 

645  Mr.  Will  C.  Eddy.    A  Nahant  Breaker.    Alvan  G.  Clark.      Hydro.  Eagle. 

646  "   Joseph    H.    Wheeler.  Picking 

Daisies. 

647  "    Elmer  E.  Pitts.    Lone  Fisherman. 

648  "   John  F.  Wade.  Portraits. 

649  "   Gilbert    Hodges.      Pulpit  Rock, 

Nahant. 

650  "   John  F.  Wade.  Portrait. 

651  "   Geo.  L.  Stone.    The  Bend  by  the 

Willows. 

652  "   W.  F.Thode.    The  Little  Plumber.    No.  2  R.  H.  Darlot. 

653  "    B.  D.  B.  Bourne.    Winter  Hill  Sta- 

tion, B.  &  L.  R.R. 


Darlot. 
Euryscope. 

Codman  Ortho. 
Euryscope. 

Dallmeyer  R.  R. 


Pyro. 

Hydro. 

Pyro. 


Print. 


Albumen. 

Harvard. 

Eagle  Ortho.  Bromide. 

Eagle.  Albumen. 
Eagle  Ortho.  Bromide. 

Harvard.  Albumen. 
Standard  50. 


Alvan  G.  Clark.     Hoover's    Seed  26.\-. 
Potash. 


Mr.  C.  G.  HINE, 

137  Broadway,  New  York. 

Society  Amateur  Photographers,  New  York. 

Lens.  Developer.          Plate.  Print. 

654    A    Winter  Scene.  ^  Optimus.  Pyro-Potash.  Cramer.  Aristo. 

B             "           I  Beck.  •           A.&R.  Film, 

c             "           '  Optimus.  "           Cramer.  . 

D              "           1  ,  Beck.  "            A.&R.  Film. 

January.  .  n 

E  Optimus.  Cramer. 

F             "  Beck.  '•           A.&R.  Film. 


74 


^BojEfton  Camera  Clut)  —  aErljibition,  1892. 


655  A    Cloud  Effect. 

B 

^  *  December. 

D  " 

E 

'•" 

656  Early  Spring. 

657  Col.  Washington'.s  Headquarters  (i 755), 

Winchester,  Va. 

658  Blue  Monday. 


659  Snow  Scenes.    Prims.    A,  B,  D,  E,  F. 

660  "  C,  G. 


Lens.            Developer.          Plate.  Print. 

Optimus.  Pyro-Potash.  Cramer.  Aristo. 

((                                tc                                ^.  l( 

Beck. 

Optimus.          '•                 "  " 
Beck. 


Dallmeyer. 

Beck. 
Optimus. 


A.&R.Fiim.  Plain  Silver 
Paper. 

Cramer.  " 

"  Blue,onJap. 

Tissue  Pa- 
per. 

A.&R.Film.  Toned  Blue 
Prints. 

Cramer.  Untoned 

Blue  Prints. 


All  work  of  exhibitor. 


25oj5tou  Camera  €IuIj  —  <lEj:l)it)ition,  IS 92, 


75 


LANTERN  SLIDES. 


Mrs.  S.  F.  CLARKE, 

Louth,  England. 

Louth  and  District  riiotographic  Society. 


1  The  Village  Blacksmith. 

2  The  Letter. 

J  Two's  Company. 

4  Winter  Gleaning. 

5  A  Greek  Study. 

6  Laughing  Eyes. 

7  Portrait. 

8  Ophelia,  "There's  rue  for  you. 
g  Jilted. 

lo  Curiosity. 

//  After  Mass. 

12  Queen  of  Hearts. 


Lens 


Developer. 


Plate. 


Print. 


Swift's 
Rapid 
Paragon. 


Pyro 
and 

Ammonia. 


Mawson. 


Reduction 
in 

Camera. 


Mr.  O.  a.  EAMES, 

Boston,  Mass. 

Boston  Camera  Club. 

3  A    Sunrise,  Nantucket. 
B         "  ■' 

c  Sunset,  Boston  Harbor. 

D  Twilight,  Boston  Harbor. 

E  Moonlight  Ef?ect. 

F  Wood  Island. 

4  A    Wild  Flowers. 

B  Young  America. 

c  Surf,  Nahant. 

D  Kennebec  River,  Me. 

E  Children  at  the  Beach. 

F  City  Point,  South  Boston. 


Lens. 

Euryscope. 


A.  G.  Clark. 

Euryscope. 

Darlot. 

Euryscope. 

Darlot. 

Euryscope. 

Darlot. 

A.  G.  Clark. 


Developer.  Plate.  Print. 

Pyro-Soda.    Cramer.  Reduction. 


Original  negative  and  slide,  work  of  exhibitor 


76 


25o.ston  Camera  €lub  —  €vl)it}ition,  1S92. 


Mr.  CHARLES  L.  MITCHELL,  M.D., 

1016  Cherry  Street,  Philadelphia,  Pa. 

Photographic  Society  of  Philadelphia. 

Letts.  Dtvch'per. 

5      /    Interior  of  Church  at  Molmen,  Norway.    Beck.  Hydro-Eiko. 


6 


3 
4 
5 
6 

7 
8 

9 
10 
II 
12 


7  13 

14- 

15 
16 

17 
18 

8  19 

20 
21 
22 
23 

9  24 

25 

26 


The    Rauma  River  below  Stuefl'oten, 
Norway. 

The  Midnight  Sun  near  Tromso,  Norw  ay, 
Group  of  Lapps  and  Reindeer, 
View  on  the  Eikisdal  Vand, 
The  Mardola-fos,  Eikisdal  Vand, 
The  Eikisdal  Vand,  near  Reitan, 
In  the  Gorge  of  the  Norangdal, 
Early  Morning  in  the  " 
The  Kvitegg  (Mt.),  " 
View  on  the  Geiranger  Fjord, 
First  View  of  the  Djupvand,  Geiranger, 
Norway. 

The   Djupvand   and  Hut,  Geiranger, 
Norway. 

View  at  Faleide  looking  towards  Ulirk, 

Norway. 
The  Loen  Vand,  Norway. 

at  Vasenden,  Norway. 
The  Olden  Vand,  from  Sunde, 
Mundal,  Fjaerland  Fjord, 
On  Fjaerland  Fjord, 
Gudvangen  and  the  Naero  Fjord, 
View  in  the  Naerodal, 
The  Naerodal  from  Stalheim, 
General  View  of  the  Eidsfjord  Vand, 

Norway. 

Road  by  the  Eidsfjord  Vand,  Norway. 
The  Sor  Fjord,  Hardanger,  " 
The  Skars-fos  and  Lote  fos  Hotel,  " 

All  work  of 


Steinheil. 


Ross. 

Steinheil. 

Ross. 

Steinheil. 
Ross. 


Steinheil. 

Ross. 

Steinheil. 

Beck. 
Steinheil. 
Ross. 
Beck. 


Steinheil. 

Ross. 

Steinheil. 

exhibitor. 


Plate.  Print. 

Eastman.  Mitchell's 

Lantern  Slide 
Developer. 


Carbutt. 


Eastman. 

Carbutt. 
Eastman. 


Carbutt. 
Eastman. 


Carbutt. 

Eastman. 

Carbutt. 


Mr.  ROBERT  S.  REDFIELD, 

3706  Walnut  Street,  Philadelphia,  Pa. 

Photographic  Society  of  Philadelphia. 

Developer.  Plate.  Print. 

10    A    Study  of  Sheep.  Ferrous  Oxalate.      Eastman.  Gelatine. 

B    Navigation.  "  "  " 


77 


c  Mending  their  Ways. 

D  Warranted  Safe  and  Gentle. 

E  Hesitation. 

F  Under  tlie  Haystack,  Fast  Asleep. 


11    A  A  Black  Beauty. 

B  A  Morning  by  the  Brook. 

c  A  Study  in  Spherical  Geometry. 

D  A  Berkshire  Hillside. 

E  Making  Friends. 

F  Grinding  Toil. 

All  work  of  exhibitor. 


Developer. 

Ferrous  Oxalate. 


Plate.  Print. 

'Carbutt.  Gelatine. 
Eastman.  " 


Carbutt. 


Eastman. 


Miss  ELIZABETH  ALMY  SLADE, 

II  West  loth  Street,  New  York. 

A  ma /cur  Photographers  of  Niiu  York  and  Portrait  Photogra  phic  Chtb. 

Print. 

By  Reduction.  Hy- 

12    I    The  Midnight  Sun,  Norway.  drochinon  Developer. 

2  "Child-life,"  Holland. 

3  "  Of?  for  a  Drive,"  Holland. 

4  "  An  Idle  Moment,"  Holland. 

5  Industry,"  Holland.  '■ 

6  "The  Home  of  a  Dutch  Peasant,"  Holland. 

All  work  of  exhibitor. 


Miss  EMILIE  V.  CLARKSON. 

112  E.  23d  Street,  New  York. 

Amateur  Photographers  of  New  York. 

Lens.  Developer.  Plate.  Print. 

13  /    Moonlight  on  the  Racquette.            Beck.  Pyro-Soda.    Cramer  Banner.  Hydrochinon 

Developer. 

2    Winter.                                       Ross.  "  "  " 

J    Contentment.                                 Beck.  "  "  " 

4  After  J.  G.  Brown.                              "  "  "  " 

5  Just  Out.                                     Ross.  •'  "  " 

6  Cinderella.                                       "  "  "  " 

14  7    In  the  Haycock.                                 "  "  "  " 
8    The  Old  Story. 

g    The  Haymaker. 

70    In  Nature's  Mirror.                             •  "  "  " 

11  Bringing  in  the  Christmas  Pudding.       •■  "  " 

12  Midsummer-Night's  Dream.                 "  "  " 

All  work  of  exhibitor. 


78 


^o^ton  Camera  €luti  — afrljibition,  1892. 


Mr.  ALFRED  STIEGLITZ, 

14  E.  60th  Street,  New  York. 

Amateur  Photographers  of  New  York. 

15  /  On  the  Shores  (Lake  Como). 
2  An  Unwilling  Bath. 

J  Biarritz. 

4  In  Central  Park. 

5  Central  Park. 

16  6  Cortina  (IL). 

7  View  from  Oak  Lawn. 

8  Maria. 

g  After  the  Storm. 

10  Wetterhorn. 

//  Lago  di  Misurina. 

17  J 2  Open  Air  Portrait. 
jj  Sun  and  Shade. 
14  After  the  Rain. 

/J  A  Summer  Afternoon. 

16  Weary. 

77  Village  Smithy. 

18  r8  At  the  Brook. 
ig  The  Last  Load. 
20  Street  in  Bellagio. 
2r  Cortina  (I.). 

22  A  Nook  in  Pallanza. 

2j  November  Days. 

19  24  Hallstadt. 

25  Interlaken. 

26  The  Card-players. 

2j  The  Wanderer's  Return. 

28  Winter  in  Berlin. 

2g  Venezia. 

20  JO  Lowenbriicke,  Berlin  (Autumn). 
ji  "  •'  (Winter). 

j2  Moonlight  Effect  on  Lake  George. 

Original  negatives  and  all,  work  of  exhibitor. 


Plate. 
Carbutt. 


De7> 
Hyd 


'eloper. 
rocliinon. 


Miss  CATHARINE  WEED  BARNES, 
Western  Avenue,  Albany,  N.Y. 

Amateur  Pliotographers  of  New  Yorh. 

2il      I    Watching  the  Snow  birds. 

2  Statue  of  Robert  Burns. 

3  Cinderella. 

4  Home  made  Statues. 

5  Greek  Study. 


Lens.  Developer.  Plate.  Print. 

Dall.  W.  A.    Eikonogen.    Allen  &  Dry  Plate. 

Rowell. 


25o.ston  Camera  Ciul)  —  €jcl)il)itiou,  1S92. 


79 


22     6    Look  in  Mother's  Eyes. 


23 


Lens. 
Dall.W.  A. 


7 
<§ 

12 


15 
i6 

17 

i8 


Portrait  Prof.  Chas.  Ehrmann. 
Entrance  Hall. 
Drawing-room. 
Room  for  One  More. 
Through  the  Woods. 

"The  world  forgetting,  by  the  world  forgot." 
Early  Morning. 
At  the  Source. 


Seven  Times  One. 
Seven  Times  Five. 
Seven  Times  Six. 
By  Still  Waters. 


(Jean  Tngelow.) 


Developer. 
Eikonosen. 


Eikonogen 
Intensified 
with  Silver. 

Eikonnoen. 


Plate. 

Allen  & 
Rowell. 


Print. 
Dry  Plate. 


All  work  of  exhibitor. 


Mr.  H.  a.  LATIMER, 

Boston  Camera  Club. 

Lens.  Developer.  Plate.  Print. 

24  I    Yacht  "  Hypatia," — Cruising  Race.   Ross  Port,  Sym.    Pyro  Soda.    Eastman.    Dry  Plate. 
2    Sunset,  Marblehead,  Mass.  " 

J  King  Philip,  Marblehead.  " 

4  Parlor  of  the  Ponce  de  Leon.  '• 

5  Old  Witches'  House,  Deerfield,  Mass.  Wet. 

6  The  Antiquarian  of  Deerfield,  Mass., 

in  his  favorite  corner.  Dry. 

25  I    Sunset,  Ware  River,  Nantasket,  Mass.  " 
2    Mt.   Washington    Signal    Station  in 

October.  " 

J  Amusing  the  Baby.  Carbutt.  " 

4  South  Fork  Falls,  Yosemite  Valley, Cal 

5  Yosemite  Fall  (2,634  feet  high).  Eastman. 

6  The  Woods  in  Autumn.  Wet. 

26  /  North  Dome,  Yosemite  Valley.  A.  &  R.  Dry. 
2  The  River  Path,  Rockledge,  Fla.  Wet. 

3 

4  Tropical  View  on  Indian  River.  " 

5  Old  Wreck,  Indian  River. 

6  Surf,  Pt.  Lobos,  Monterey,  Cal. 


80 


23o^ton  Camera  Club  —  <exijitJition,  1892. 


Lens.  Developer.  Plate.  Prhit. 

27    /  In  Ballast.  Ross  Port.  Sym.    Pyro-Soda.    A.  &  R.     Dry  Plate. 

2  Yacht.  " 

3  Surf,  Marblehead,  Mass.  VVet. 

4  Natural  Bridge,  Va.    ^  >■  Dry. 

5  Street  View,  Monterey,  Cal. 

6  A  Cuban  Hut,  Campo  Florido,  Cuba. 


/  Oldest  Inhabitant,  Silver  Springs,  F!a.  Wet. 

2  River  View,  Silver  Springs,  Fla. 

3  City  Gates,  St.  Augustine,  Fla. 

4  Verena,  Marblehead.  Dry. 

5  The  River  Road,  Palatka,  Fla.  " 

6  View  on  Charles  River.  '• 

All  work  of  exhibitor 


Mr.  EDGAR  G.  LEE, 

CuUercoats,  Newcastle- on-Tyne. 

Honorary  Secretary  Ncwcastle-on-Tyne  Photograplnc  Association . 


28     /    Sunny  Hours. 


2  The  Evening  Hour. 

3  Rest  and  Refreshment. 

4  The  Smoky  Tyne. 

5  The  Gypsies. 

29     6  Sunlight  and  Shadow. 

7  The  Brook. 

8  Outward  Bound. 

g  The  Hay  Harvest. 

10  By  the  Old  Mill. 

11  An  Autumn  Sunset. 


Lens. 
Single. 

Doublet. 

Single. 
Doublet. 


Single. 
Doublet. 


Developer. 


Plate. 


Hydroquinone  and  Edwards'  Instantaneous 
Carbonate  Potass.    Isochromatic  Plates. 


Print. 

Gelatine 
Bromide 
L.  Plates. 


12 


The  Student. 


All  work  of  exhibitor. 


^25o^tou  Camera  €luh  —  €j.i)ilittion,  1892. 


SI 


Mr.  JOHN  W.  DUNN, 

3418  Meramec  Street. 

Louts  Camera  Club. 

30  A    "  If  I  had  a  donkey  that  wouldn't  go,"  &c. 

B  Balanced  Rock,  Garden  of  Gods,  Colo, 

c  Mountain  Valley,  near  Empire,  Colo. 

D  "  The  Bell(e)s." 

E  Crossing  Clear  Creek,  Colo. 

31  F  Georgetown  Pass,  Colo. 

G  Mountain  Climbing,  Colo. 

H  Caught  in  the  Ice,  St.  Louis. 

K  Sitting  for  his  Picture. 

L  At  the  Well. 

M  At  the  Spring. 

N  Altar  in  Sacred  Heart  Convent,  St.  Louis. 

32  o  Meramec  River  at  Glencoe,  Mo. 
p  Off  Cape  Ann. 


Lens. 
Hermagis. 

Steinheil. 
Hermagis. 


Steinheil. 
Hermagis. 


Steinheil. 
Hermagis. 
Steinheil. 
Hermagis. 


Developer. 
Pyro. 


Plate. 

Seed. 

Eagle. 
Seed. 


Print. 

Ferrous  Oxalate, 
Carbutt  L.  S. 


Carbutt  B. 
Seed. 

Cramer  B. 
Seed. 

Cramer  B. 


Mk.  WILLIAM  M.  BUTLER, 

2636  Osage  Street,  St.  Louis. 

St.  Louis  Camera  Cinh. 

Lens.  Developer.  Plate. 

33     gs    Levee.  North  of  Bridge,  St.  Louis.      No.  o  Eury-      Pyro.  Seed 

scope. 

Jj^    Siallion  "  Louis  Napoleon,  Jr."  "  "  " 

//    Niagara  Falls.  ••  " 

A    Cemetery  Entrance,  Jefferson  Bar- 
racks. 


B    On  River  des  Peres,  Forest  Park, 
St.  Louis. 

c    Arch  over  Entrance  to  Cemetery, 
Jefferson  Barracks. 
34       D    Officers'  Quarters,  Jefferson  Bar- 
racks. 

E    Out  for  a  Ride. 

F    Steamer  "Grand  Republic"  on  an 
Excursion. 

G    Grand  Avenue  Bridge,  St.  Louis.        No.  5  Bausch 

&  Lomb. 

H    Rafting  Logs  on  Upper  Mississippi 
River. 

I  A  Picnic  Party.  A.S.Aloe&Co. 
K    Shakespeare,  Tower  Grove  Park, 

St.  Louis.  No.  5  Bausch 

&  Lomb. 
All  work  of  e.\hibitor. 


Eastman's 
Film. 


Seed. 


Print. 

FeYrous  Ox. 


Hydrochinon. 


Ferrous  Ox. 
Hydrochinon. 


Ferrous  Ox. 
Hydrochinon. 


82 


23o^?ton  Camera  Club  —  €j:f)ibition,  1892. 


TRANSPARENCIES. 


Mr.  clarence  B.  MOORE, 

132 1  Locust  Street,  Philadelphia. 

Photographic  Society  of  Philadelphia. 

Lens.  Developer.  Plate. 

1  A  Florida  Afternoon.                          Darlot.  Pyro-Potash.    Seed  26. 

2  The  New  Slipper.                               Beck.  Pyro-Soda.  " 

3  What's  That?                                    Dallmeyer.  "  Stanley. 

4  Wissahickon  Creek  from  Valley  Green 

Bridge.                                    Francais.  Pyro-Potash.  Seed. 

5  Flo.                                                  Beck.  Eikonogen.     Seed  26. 

6  A  Brotherly  Attention.                        Francais.  Hydrochinon.  " 

Negatives  and  jjositives,  work  of  exhibitor. 


V 


Prifit. 

Carbutt  A  Plate 
and  Oxalate 
Developer,  ex- 
cept No.  5, 
developed  with 
■  Hydrochinon- 
Eikonogen. 


Mr.  WILFRED  A.  FRENCH, 
Boston. 

Boston  Camera  Club. 

7  Old  State  House,  Boston,  Mass. 

8  Ditto. 

9  Historic  Homestead  at  Quincy,  Mass.,  erected  in  1635. 

10  Brook  near  Waterville,  N.H. 

1 1  Mad  River,  near  Thornton,  N.H. 

12  Hyde  Park  (view  of  the  Neponset  River). 

All  work  of  the  exhibitor. 


-Boston  CamccA  Club  —  ^Erljibition,  1892. 


Mr.  ROBERT  L.  BRACKLOW, 
1 13  West  3Sth  Street. 

Amateur  Photographers  of  New  York. 

Lens.  Developer.  Plate. 

13  Castle  Rock,  Marblehead  Neck,  Mass.  Gundlach        Pyro-Potash.  Carbutt's 

Rectigraphic.  Special. 

14  Belleville  Hotel,  Belleville,  N.J.  Built 

in  1685.  "  " 

15  View  on  Second  River,  near  Belle- 

ville, N.J. 

16  Washington    Bridge,   over  Harlem 

River,  New  York.    High  Bridge  in 

the  distance.  Darlot  W.  A.  "  " 

17  View   on   the  Bronx  River,   Bronx  Steinheil, 


Park,  New  York.  Series  II.  Seed  26. 

18  Egyptian  Obelisk,  Central  Park,  N.Y.   Gundlach  "  Carbutt's 

Rectigraphic.  Special. 

19  St.  Mark's  Church,  Second  Ave.,  N.Y.   Darlot  W.  A. 

20  Vista,  Main  Street,  Concord,  Mass.     Gundlach  '•  " 

Rectigraphic. 


Exposures,  developments,  and  prints,  work  of  e.xhibitor. 


84 


25oiSton  Camera  €lulj  —  o^iiitbition,  1892. 


.  ♦  Sinticjc  of  ciErl)tbitor!S  ,  . 


Catalogue  No.  Page. 


Alexander,  Mr.  John  W. 
Andrews,  Mr.  Edward  R. 
Angerer,  Mr.  Victor 
Babcock,  Mr.  T.  James 
Bain,  Mr.  Robert  E.  M. 
Balliurd,  Mr.  Charles  . 
Barnes,  Miss  Catherine  Weed 

Lantern  Slides 
Barton,  Mr.  Howard  R. 
Belknap,  Mr.  Henry  W. 
Bennett,  Mr.  E.  S. 
Berg,  Mr.  Charles  I.  . 
Blake,  Mr.  Francis 
Bracklow,  Mr.  Robert  C.  Transi)arencies 
Breese,  Mr.  James  L.  . 
Briggs,  Mr.  William  Sumner 
Bullock,  Mr.  John  G.  . 
Butler,  Mr.  William  M. 
Byington,  Mr.  W.  W.  . 
Chamberlain,  Mr.  Joseph 
Chandler,  Miss  Alice  G. 
Chase,  Mr.  Walker  G. 
Clarke,  Mr.  S.  Francis 
Clarke,  Mrs.  S.  Francis 

Fantern  Slides 
Clarkeson,  Miss  Emilie  V.    Lantern  Slides 
Clements,  Mr.  Alfred  . 
Clow,  Mr.  W.  S.  . 
Coleman,  Miss  E.  L. 
Cole,  Mr.  E.  Court 
Currier.  Mr.  Charles  H. 
Dana,  Mr.  W.  T. 
Diston,  Mr.  Adam 
Dodge,  Mr,  William  H. 
Dresser,  Mr.  Arthur  R. 
Dumont,  Mr.  John  E.  . 
Dunn,  Mr.  John  W.    Lantern  Slides 
Fames,  Mr.  ().  A. 

Lantern  Slides 
Eaton,  Mr.  Geo.  H. 
Eddy,  Miss  Sarah  J. 
Emmons,  Mr.  Hamilton 
Evans,  Mr.  L  W. 
Fitz,  Miss  Emma  J. 
Eraser,  Mr.  William  A. 
French,  Mr.  Wilfred  A. 

Transparencies 
Fretwell,  Mr.  Ralph  Trann 
Fuller,  Mr.  E.  Abbott 
(Joldschmidt,  Mr.  Julius 
Graves,  Mr.  Edward  H. 
Grisdale,  Mr.  H.  M.  . 
Hallett,  Mr.  Henry  R.  . 
Harding,  Mr.  Martin  J- 
Harvey,  Mr.  J.  H. 
Hine,  Mr.  C.  G.  . 
Holman,  Mr.  John  C.  . 
Hull,  Mr.  Chas.  Wager 
Kimball,  Mr.  Benjamin 
Latimer,  Mr.  H.  A. 

Lantern  Slides 
Learning,  Mr.  Edward  . 


144—147 

27 

62 

407 

'43 

25 

J 

62 

264-268 

41 

24.1—2 

XI 
Of 

21-2'? 

78 

62-64 

15 

J'T/      J  J 

47 

216 

35 

127, 

23 

1-6 

9 

13-20 

83 

202-205 

31 

161-1S4 

29 

613-618 

70 

33'  34 

81 

339-344 

47 

580 

66 

125,  126 

2 1 

28-34 

1  ! 
.J 

619-626 

70 

627-630 

7 ' 

I,  2 

75 

77 

639-644 

7"? 

1 14-120 

21 

48^402 

60 

584-586 

67 

409-4 1 1 

CC 
J  J 

i;26— "^o 

^8-4^ 

1 1 

1 1;6— I  c;q 

27 

592-597 

68 

501-509 

61 

30-32 

81 

65-76 

17 

7^ 

'j8  t:— 70O 

r  -3 
Jj 

345,  346 

47 

93-99 

'9 

632,  633 

72 

583 

66 

191-194 

3' 

364-377 

53 

7-12 

82 

361-363 

5' 

160 

29 

271 

41 

476-480 

59 

283-3 '3 

43 

185-188 

29 

604-606 

69 

578 

65 

654-660 

73 

51 '-5' 5 

62 

226-235 

37 

413-452 

55 

531-565 

63 

24-27 

80 

269,  270 

41 

Lee,  Mr.  John  C. 

Lantern  Slides 
Lincoln,  Mr.  Pldwin  H. 
Little,  Mr.  James  L. 
Loud,  Mr.  J.  Prince 
Mack,  Mr. "Hugo  S.  . 
Mansell,  Mr.  Thomas  . 
Mansell,  Mr  T.  . 
Mason,  Mr.  J.  S.  . 
Meldon,  Mr.  Louis 
Miller,  Mr.  Charles  Howell 
Mitchell,  Mr.  Charles  L. 

Lantern  Slides 
Moore,  Mr.  Clarence  B. 

Transparencies 
Morandi,  Mr  Francis  W. 
Morgan,  Mr.  George  M. 
Murdock,  Miss  Elizabeth 
Murdock,  Miss  Helen  M. 
Mystic  Camera  Club 
Nelson,  Mr.  George  A. 
Norton,  Mr.  H.  A. 
Pancoast,  Mr.  Charles  K. 
Pearson,  Mr  Horace  B. 
Pineiro,  Mr.  F.  R. 
Pond,  Mr.  Quincy 
Pratt,  Mr.  F.  Alcott 
Preston,  Mr.  Wm.  Gibbons 
Rau,  Mr.  Wm.  H. 
Redfield,  Mr.  Robert  S. 

Lantern  Slides 
Reed,  Mr.  Wm.  Garrison 
Rencurrel,  Mr.  M.  E.  . 
Ruppert,  Mr.  Ferdinand 
Russell,  Miss  Mary  F.  . 
Sawyer,  Mr.  Lyddell 
Schoen,  Mr.  Alfred  P. 
Schram,  Mr.  Louis  B.  . 
Sears,  Mrs.  Sarah  C. 
Sherman,  Mr.  Edward  i'  . 
Silsbee,  Miss  Rosamond  W. 
Simpson,  Mr.  Alfred  M. 
Slade,  Miss  Elizabeth  Almy 

Lantern  Slides 
Stackpole,  Mr.  Frederick  D, 
Stengel,  Mr.  George  J. 
Stettinius,  Mr.  John  L. 
Stieglitz,  Mr.  Alfred 

Lantern  Slides 
Strang,  Mr.  S.  Tudor 
Symcnds,  Mr.  Harry 
Tarbell,  Mr.  John  H.  . 
Thurston,  Mr.  John  H. 
Todd,  Mr.  Dundas 
Troth,  .Mr.  Henry 
Wells,  Mr.  James  A.  . 
Williams,  Mr.  Cleinent 
Wilmarth,  Mr.  Arthur  R. 
Witherell,  Mr.  W.  O.  . 
Wood,  Mr.  Geo.  B. 
Wright,  Mrs.  James  Osborne 
Wundram,  Mr.  G.  W. 


Catalogue  No. 

130-136 
28,  29 

495-  496 
206-2 1 2 
22-27 
332-338 
631 
493.  494 
635,  636 

58  r 
587-591 
77-82 

5-9 
7-21 

1-6 
566,  567 
391-406 

412 
121-1 24 

645-653 
607-61 1 

568 
378-384 

612 
598-603 
189,  I  go 

356 
637,  638 
453-458 
100-105 
10,  r  I 
83-92 

35-37 
217-225 

352 
44-55 

272-282 

353'  354 
579 

195-201 
129 

355 
236-240 
1 2 

408 
407-500 

2f3-2I5 

314-33' 

1 5-20 

634 

582 

I48-IS5 
481,482 

60,  61 

137-142 
357-360 
56-59 

ic6-i 1 3 
47J-47S 
5''9-577 
255-262 
263 


Page. 

25 
80 
61 

33 
'3 
45 
71 
60 
72 
60 
67 
17 
76 
1 1 
82 
64 
55 
56 
21 

73 

6q 

65 
53 

69 
68 

31 

51 
72 
58 
19 
76 
17 
'3 
35 
49 
15 
43 
49 
65 
31 
23 
49 


55 
61 


45 
78 

66 
27 
59 
'5 
25 
51 
15 
'9 
59 
''5 
39 
39 


mnmittee  of  ilrrantrcments. 


QWr*  'WtKim  ^umntt  (gti^ze, 

€)f       (gosfon  Camera  Cfufi. 


